1 00:00:06,299 --> 00:00:08,343 (MUEZZIN CALLS) 2 00:00:26,277 --> 00:00:28,446 MAN: In the annals of crime 3 00:00:28,571 --> 00:00:33,326 only three robberies can be considered as genuine masterpieces. 4 00:00:33,451 --> 00:00:37,747 The first was the great train robbery of 1931. 5 00:00:37,872 --> 00:00:42,126 The second took place in Arabia in 1952... 6 00:00:42,252 --> 00:00:47,590 the Shah of Ben Abu was victim of the greatest jewel robbery in history. 7 00:00:47,715 --> 00:00:52,845 But perhaps the most ingenious, the most cunning of all criminal masterpieces 8 00:00:52,971 --> 00:00:56,057 was the great gold robbery of Cairo. 9 00:01:15,827 --> 00:01:17,870 (SPEAKS ARABIC) 10 00:01:31,592 --> 00:01:33,636 (SPEAKS ARABIC) 11 00:02:40,077 --> 00:02:43,164 ( 12 00:02:48,294 --> 00:02:52,215 - SINGERS: - MAN: 13 00:02:52,340 --> 00:02:56,177 - - 14 00:02:56,302 --> 00:03:00,139 - - 15 00:03:00,264 --> 00:03:03,809 16 00:03:03,935 --> 00:03:06,354 17 00:03:06,479 --> 00:03:08,272 18 00:03:08,397 --> 00:03:11,943 19 00:03:12,068 --> 00:03:14,320 20 00:03:14,445 --> 00:03:16,280 21 00:03:16,405 --> 00:03:21,827 22 00:03:28,709 --> 00:03:32,421 - SINGERS: - MAN: 23 00:03:32,546 --> 00:03:36,509 - - 24 00:03:36,634 --> 00:03:40,596 - - 25 00:03:40,721 --> 00:03:44,141 26 00:03:44,267 --> 00:03:46,727 27 00:03:46,852 --> 00:03:48,688 28 00:03:48,813 --> 00:03:52,233 29 00:03:52,358 --> 00:03:54,652 30 00:03:54,777 --> 00:03:56,654 31 00:03:56,779 --> 00:04:02,201 32 00:04:09,041 --> 00:04:13,004 - - 33 00:04:13,129 --> 00:04:17,091 - - 34 00:04:17,216 --> 00:04:21,095 - - 35 00:04:21,220 --> 00:04:24,682 - - 36 00:04:24,807 --> 00:04:27,184 37 00:04:27,309 --> 00:04:29,228 38 00:04:29,353 --> 00:04:32,898 39 00:04:33,024 --> 00:04:35,192 40 00:04:35,317 --> 00:04:37,194 41 00:04:37,319 --> 00:04:42,324 42 00:04:42,450 --> 00:04:44,493 43 00:04:46,662 --> 00:04:48,706 44 00:04:54,920 --> 00:04:57,548 And where is the gold now, gentlemen? 45 00:04:57,673 --> 00:05:01,260 According to my agents, it has left Cairo by ship 46 00:05:01,385 --> 00:05:06,390 and is heading for a Mediterranean port where the cash exchange will be made. 47 00:05:09,268 --> 00:05:11,312 But where? 48 00:05:13,522 --> 00:05:16,609 France? Spain? Italy? 49 00:05:17,818 --> 00:05:19,403 And how? 50 00:05:19,528 --> 00:05:24,200 All major shipping ports and air terminals will be watched. 51 00:05:24,325 --> 00:05:26,786 And in what form? 52 00:05:34,251 --> 00:05:36,420 Will they melt the gold down? 53 00:05:36,545 --> 00:05:42,968 Or will they try to smuggle in all 300 bars, weighing nearly 4,000lb? 54 00:05:43,093 --> 00:05:45,471 They have the gold, gentlemen. 55 00:05:45,596 --> 00:05:49,725 But they must find the one man in Europe who possesses the skill, the cunning, 56 00:05:49,850 --> 00:05:54,522 and the genius to attempt an enterprise of such enormity. 57 00:05:54,647 --> 00:05:58,234 I believe they have four possibilities. 58 00:05:59,652 --> 00:06:01,695 Marcel Vignon, of Paris. 59 00:06:01,820 --> 00:06:05,491 Sometimes known as "The Cat". 60 00:06:05,616 --> 00:06:08,869 And, like a cat, he pounces on his prey. 61 00:06:09,662 --> 00:06:14,041 And then, with lightning speed, just disappears. 62 00:06:16,085 --> 00:06:20,214 But now perhaps a little past his prime. 63 00:06:25,594 --> 00:06:29,765 Michael O'Reilly, of Mayfair, London. 64 00:06:29,890 --> 00:06:33,811 "The Panther". But now afflicted with failing eyesight. 65 00:06:39,900 --> 00:06:42,194 This is a stick-up. 66 00:06:42,319 --> 00:06:45,823 Oh no, it isn't. This is the police station. 67 00:06:45,948 --> 00:06:48,742 - Come on, Michael. - I'll have to get my eyes tested. 68 00:06:52,621 --> 00:06:55,374 Felix Kessler, of Berlin. 69 00:06:56,041 --> 00:06:57,710 Hands up! 70 00:07:03,340 --> 00:07:05,384 Hand over. 71 00:07:08,012 --> 00:07:12,641 Once the big man of Germany, but now perhaps too big. 72 00:07:14,476 --> 00:07:18,230 And that leaves one last possibility. 73 00:07:18,355 --> 00:07:20,524 Aldo Vanucci, of Italy. 74 00:07:21,483 --> 00:07:25,779 Now in semiretirement in the peaceful hills of Umbria. 75 00:07:25,904 --> 00:07:31,368 A clever, resourceful criminal, sometimes called "The Fox". 76 00:07:51,138 --> 00:07:53,182 Excuse me. 77 00:07:53,307 --> 00:07:55,768 - Hello, Aldo. - Hello, Aldo. 78 00:08:04,943 --> 00:08:09,031 - You've got a wonderful colour. - I am foreman of the vegetable garden. 79 00:08:09,156 --> 00:08:12,034 And now, before you all starve to death... 80 00:08:13,118 --> 00:08:15,245 Sausages. Prosciutto. 81 00:08:15,370 --> 00:08:17,998 For my mamma, a young spring chicken. 82 00:08:18,123 --> 00:08:24,296 For my sweet sister Gina, magazines, chocolates and American shampoo. 83 00:08:25,380 --> 00:08:27,925 - No cigarettes? - Plain or filter? 84 00:08:28,050 --> 00:08:30,093 Filters. 85 00:08:30,886 --> 00:08:32,638 Oh, Aldo! 86 00:08:32,763 --> 00:08:35,474 You make us so ashamed, so ashamed. 87 00:08:35,599 --> 00:08:38,685 A prisoner has responsibilities. 88 00:08:40,062 --> 00:08:43,315 You don't have to be a prisoner much longer. 89 00:08:43,440 --> 00:08:45,818 You think I need keys to get out of prison? 90 00:08:45,943 --> 00:08:49,112 When I'm ready, I can walk out of this place. 91 00:08:49,238 --> 00:08:51,031 - Hey, Luigi? - Yeah? 92 00:08:51,156 --> 00:08:53,700 You've got a hole in your pants. 93 00:08:54,451 --> 00:08:58,080 But, Aldo, we need you. Something big has come up, very big. 94 00:08:58,205 --> 00:09:00,040 The gold of Cairo. 95 00:09:00,165 --> 00:09:03,252 How did you know? 96 00:09:03,377 --> 00:09:06,171 They say it's worth millions, Aldo, millions. 97 00:09:06,296 --> 00:09:10,217 And what is a man's family worth? Can you count a mother's love? 98 00:09:10,342 --> 00:09:13,011 Can you spend a sister's kiss? 99 00:09:13,136 --> 00:09:15,597 I want to see my Gina dressed in silks. 100 00:09:15,722 --> 00:09:20,686 I want to see her wearing a white wedding gown. But who'd marry a thief's sister? 101 00:09:20,811 --> 00:09:23,272 - I would. - Another thief. 102 00:09:24,648 --> 00:09:28,694 Ah, if only I could steal enough to become an honest man. 103 00:09:28,819 --> 00:09:31,488 - Don't touch my mamma's chicken. - GUARD: Time's up. 104 00:09:31,613 --> 00:09:34,491 Time is up. Everybody out. 105 00:09:34,616 --> 00:09:37,244 Goodbye. Goodbye. Goodbye. 106 00:09:37,369 --> 00:09:40,789 - Aldo, what about the job? - I gave you a job. 107 00:09:40,914 --> 00:09:44,042 I hold you responsible for my mamma, and you for my sister. 108 00:09:44,167 --> 00:09:48,589 I hold you responsible for the chicken. Goodbye. 109 00:09:51,174 --> 00:09:53,635 Buy Gina an ice cream. 110 00:09:55,137 --> 00:09:58,974 - When I see her. - What do you mean, when you see her? 111 00:09:59,099 --> 00:10:03,437 Don't look at him. You see her when she comes home from school, don't you? 112 00:10:03,562 --> 00:10:07,274 - Sometimes. - Aldo, Gina is getting to be a big girl now. 113 00:10:07,399 --> 00:10:09,568 - A very big girl. - So? 114 00:10:09,693 --> 00:10:14,406 So big girls don't always come home when little girls come home. 115 00:10:14,531 --> 00:10:17,492 Gina? My sister Gina?! 116 00:10:19,870 --> 00:10:23,206 - You're lying! Say you're lying! - All right, I'm lying. 117 00:10:23,332 --> 00:10:26,126 - Liar, you're not lying! - I'm not lying. 118 00:10:26,251 --> 00:10:29,588 - Aldo. - I'll kill you! I'll kill you! I'll kill him. 119 00:10:29,713 --> 00:10:31,757 Everybody out! 120 00:10:34,843 --> 00:10:37,804 - Not you. - Let me go. I have to save my sister Gina. 121 00:10:37,929 --> 00:10:40,724 - You can save her in six months. - No. Tomorrow. 122 00:10:40,849 --> 00:10:47,064 Tomorrow. I will be out of here by three o'clock tomorrow. This I promise, Gina. 123 00:10:58,533 --> 00:11:02,996 GUARD: Ah, well, the great Fox is still in his cell, isn't he? (LAUGHS) 124 00:11:03,121 --> 00:11:06,875 I wouldn't laugh. He has five minutes to go. 125 00:11:07,959 --> 00:11:13,423 - Doctor, you've finished your rounds? - I have one more to check. Vanucci. 126 00:11:13,548 --> 00:11:16,885 Be careful, we're expecting trouble. 127 00:11:44,371 --> 00:11:47,207 Ah, my clever friend Vanucci. 128 00:11:47,332 --> 00:11:51,336 - Planning to escape, they tell me. - Yes. 129 00:11:51,461 --> 00:11:55,715 It's impossible. How can he get out of his cell without the keys? 130 00:11:55,841 --> 00:11:58,176 - Argh! - Nothing is impossible for Vanucci. 131 00:11:59,636 --> 00:12:03,974 - GUARD: Everything all right, Doctor? - Yes, yes. 132 00:12:04,099 --> 00:12:06,142 - Goodbye. - Goodbye. 133 00:12:08,979 --> 00:12:10,730 All right, come out quickly. 134 00:12:10,856 --> 00:12:14,276 Why were you so worried? He gave me no trouble at all. 135 00:12:15,277 --> 00:12:18,363 We can't be too careful with that one. 136 00:12:20,615 --> 00:12:22,242 Arrivederci, dottore. 137 00:12:22,367 --> 00:12:26,496 - I'll see you next month. - (CLOCK STRIKES THREE) 138 00:12:28,206 --> 00:12:30,250 One hundred. 139 00:12:32,836 --> 00:12:33,837 Help. 140 00:12:33,962 --> 00:12:36,798 - Seven hundred. Eight. - (GUARDS LAUGH) 141 00:12:40,468 --> 00:12:42,721 - Help! - What's that? 142 00:12:42,846 --> 00:12:44,806 Help! 143 00:12:45,056 --> 00:12:47,517 Help! 144 00:12:48,184 --> 00:12:50,103 Help! 145 00:12:50,562 --> 00:12:52,397 Help! 146 00:12:53,607 --> 00:12:55,650 (YELLS) Help! 147 00:12:57,277 --> 00:12:58,945 (BLEATINGLY) Help. 148 00:12:59,654 --> 00:13:02,490 - Untie me. Get me out, imbecile. - Good God. 149 00:13:02,616 --> 00:13:06,578 Imbecile, he's escaped. Vanucci has escaped. 150 00:13:06,703 --> 00:13:09,331 - Mamma mia! - Imbecile. Imbecile. 151 00:13:09,456 --> 00:13:12,459 Argh! You're pulling the hairs on my legs. 152 00:13:17,255 --> 00:13:20,342 ...thing happened to me before. Never happen... 153 00:13:20,467 --> 00:13:21,551 Agh! 154 00:13:21,676 --> 00:13:25,347 - Happened to me before. - Let him pass. 155 00:13:29,309 --> 00:13:31,644 First I am trussed up like a chicken. 156 00:13:31,770 --> 00:13:36,858 - He'll never make it. They'll get all of us. - If you're just going to cry, sit in the car. 157 00:13:36,983 --> 00:13:39,152 Hey, look! Look. 158 00:13:39,611 --> 00:13:43,865 I don't care about my instruments, but what about my dignity, eh? 159 00:13:43,990 --> 00:13:46,951 - Let go of me. - Who will give me back my dignity? 160 00:13:52,916 --> 00:13:55,210 Start the car! 161 00:13:55,585 --> 00:13:57,462 Start the car! 162 00:14:02,258 --> 00:14:06,513 - Faster! Can't you go any faster? - Still crying, eh? 163 00:14:06,638 --> 00:14:10,767 Do you want to spend the rest of my life in prison? 164 00:14:14,437 --> 00:14:15,980 - Go faster! - Slow down. 165 00:14:16,106 --> 00:14:17,607 The police! 166 00:14:17,732 --> 00:14:21,611 The police are looking for a fast car. So we go slow. 167 00:14:31,412 --> 00:14:35,333 It's a genius sitting in the back, a genius. 168 00:14:36,459 --> 00:14:38,002 Take me home. 169 00:14:38,128 --> 00:14:41,464 Home? In one hour every carabiniere will be looking for you. 170 00:14:41,589 --> 00:14:45,969 So I still have one hour to be with my mamma and my sister. Take me home. 171 00:14:46,094 --> 00:14:48,680 - Now give me my suit. - What suit? 172 00:14:49,848 --> 00:14:52,809 - Didn't you bring my suit? - No. Did you want one? 173 00:14:52,934 --> 00:14:54,978 (GRUNTS) 174 00:15:19,502 --> 00:15:21,546 Mamma! 175 00:15:22,005 --> 00:15:23,381 Mamma. 176 00:15:23,506 --> 00:15:25,967 WOMAN: Cinquanta under the O. 177 00:15:27,468 --> 00:15:30,430 Ventidue under the G. 178 00:15:30,555 --> 00:15:33,391 Ventitre under the I. 179 00:15:33,516 --> 00:15:35,810 Quattro under the B. 180 00:15:35,935 --> 00:15:37,979 (GIGGLING) 181 00:15:39,939 --> 00:15:43,109 Check your cards, please. The wheel spins. 182 00:15:43,234 --> 00:15:46,738 And the number is... diciotto under the G. 183 00:15:46,863 --> 00:15:49,157 - Mamma. - Do we have a winner? 184 00:15:49,282 --> 00:15:52,994 - Mamma, it's me, Aldo. - Hold your cards, it's not the winner. 185 00:15:53,578 --> 00:15:55,872 Novanta under the N. 186 00:15:55,997 --> 00:15:58,625 Mamma, what's going on here? What is all this? 187 00:15:58,750 --> 00:16:03,796 It's Bingo. You want to play? Give him a card. It's 500 lire. 188 00:16:03,921 --> 00:16:07,842 Is this all you have to say to me? After seven months, me, your own son? 189 00:16:07,967 --> 00:16:10,720 I have no son. I have a due under the B. 190 00:16:10,845 --> 00:16:13,306 - Riconto, please. - A due under the B. 191 00:16:13,431 --> 00:16:15,725 - Due under the B. - Pay attention. 192 00:16:15,850 --> 00:16:17,894 - WOMAN: I didn't understand. - Mamma! 193 00:16:18,019 --> 00:16:21,481 Is this how I find the mother of my sister? Running a Bingo game? 194 00:16:21,606 --> 00:16:26,361 What should I do? Rob a bank? I am a mother, not a fox. 195 00:16:26,486 --> 00:16:29,781 - I am not a fox, I am a son. - You are not a son, you are a disgrace. 196 00:16:29,906 --> 00:16:32,158 - ALL: Yes. - WOMAN: Shame on you. 197 00:16:32,283 --> 00:16:36,287 A son's place is at home to take care of his old mother and helpless sister. 198 00:16:36,412 --> 00:16:39,248 Like her son. Her son. Her son. Her son. 199 00:16:39,374 --> 00:16:42,835 - WOMEN: Yes. - Shame on you. Shame! 200 00:16:42,960 --> 00:16:46,381 - Spin the wheel, Teresa. - No, I forbid it. 201 00:16:47,131 --> 00:16:50,301 - Do you hear me? I forbid it. - Oh! 202 00:16:51,427 --> 00:16:53,262 Ah! 203 00:16:54,263 --> 00:16:56,766 - (SIREN) - The police are on their way! 204 00:16:56,891 --> 00:16:59,477 A quattro under the B. Nove under the I. 205 00:17:01,854 --> 00:17:03,898 (HORN) 206 00:17:05,900 --> 00:17:11,572 - Hey, you, get out of the way! - No, no. You take your car back. 207 00:17:11,697 --> 00:17:13,741 - Mamma, where's Gina? - Riconto. 208 00:17:13,866 --> 00:17:15,910 - Mamma, tell me. - Teresa, ecco. 209 00:17:16,035 --> 00:17:18,913 Sedici under the G! Under the G! Where is Gina? 210 00:17:19,038 --> 00:17:23,876 - Where? On the streets, that's where. - You mean my sister is a... 211 00:17:24,001 --> 00:17:25,920 - Bingo. - (WOMEN GROAN) 212 00:17:26,045 --> 00:17:29,966 - We have a winner. - No, I don't believe it. I don't believe it. 213 00:17:30,091 --> 00:17:34,554 It's true. Cinquanta under the O. Ventisette under the I. 214 00:17:34,679 --> 00:17:37,306 Who told you this lie? Who? 215 00:17:37,432 --> 00:17:39,767 Lie? Go! Go see for yourself. 216 00:17:39,892 --> 00:17:42,979 She's on the Via Veneto right now. Go see if it's a lie. 217 00:17:43,104 --> 00:17:45,148 Right, I will. 218 00:18:09,255 --> 00:18:11,799 - Father. - Bless you, my son. 219 00:18:27,315 --> 00:18:29,150 Ciao, pussycat. 220 00:18:35,197 --> 00:18:37,033 Hey. 221 00:18:38,034 --> 00:18:39,452 Champagne subito. 222 00:18:45,374 --> 00:18:49,795 - She's only 16, you dirty old man! - Father, please, I do it for a living. 223 00:18:49,921 --> 00:18:52,632 Aldo, get away. You'll spoil everything. 224 00:18:52,757 --> 00:18:57,762 I'll take care of you later, after I rip his eyes out of his head! 225 00:18:59,889 --> 00:19:04,602 - You don't know what you're doing! - Of course I do. I'm making a movie. 226 00:19:04,727 --> 00:19:10,483 - Movie? What do you mean, a movie? - I'm acting. He's acting. He's directing. 227 00:19:10,608 --> 00:19:13,861 We're making a movie and you spoiled the best scene. 228 00:19:13,986 --> 00:19:17,615 It's true, Father. It's the truth. 229 00:19:17,740 --> 00:19:21,202 - A movie? Where's the camera? - Where's the camera? 230 00:19:21,327 --> 00:19:23,746 There! There's the camera, there. 231 00:19:23,871 --> 00:19:28,209 - When did you become a movie star? - This morning. It's only a small part. 232 00:19:28,334 --> 00:19:30,711 - Yeah? How much they pay you? - Nothing. 233 00:19:30,836 --> 00:19:35,633 So you let him kiss you for nothing. That's worse than taking money. We are going. 234 00:19:35,758 --> 00:19:39,762 - I want to be a movie star! - Father, give me a break. Gina, let's go. 235 00:19:39,887 --> 00:19:42,723 Never! The films are sinful. They are sinful. 236 00:19:42,848 --> 00:19:45,726 - All right. You're fired. - No, no. 237 00:19:45,851 --> 00:19:47,395 All films are sinful. 238 00:19:47,520 --> 00:19:51,023 - Hey, lady, do you want to be in this film? - Yes. 239 00:19:51,732 --> 00:19:54,652 ...and pray. Pray. 240 00:19:56,487 --> 00:19:59,115 Pray for our salvation. 241 00:20:01,075 --> 00:20:03,119 (GINA CRIES) 242 00:20:14,672 --> 00:20:18,759 There has been enough crying. Take this soap and wash those lips off your face. 243 00:20:18,884 --> 00:20:23,139 I hate you! I hate you till I die! I hate you! 244 00:20:23,264 --> 00:20:26,475 And thank you for uniting my family. 245 00:20:26,600 --> 00:20:30,563 If I cannot trust you, you are to stay in your room until you are 21. 246 00:20:30,688 --> 00:20:35,734 I go where I want and when I want! Can you say the same, fugitive? 247 00:20:35,860 --> 00:20:39,572 Now just you listen to me, you, you... you delinquent. 248 00:20:39,697 --> 00:20:41,115 - Sneak. - Harlot. 249 00:20:41,240 --> 00:20:43,492 - Coward. - Tramp. Starlet. 250 00:20:43,617 --> 00:20:47,872 You are never to mention acting again. And you are to put down that flowerpot. 251 00:20:51,250 --> 00:20:53,294 She never misses. 252 00:20:53,836 --> 00:20:59,300 Like dogs on the street, they fight. If only your poppa were alive. 253 00:20:59,425 --> 00:21:03,012 Mamma. Mamma, I am the poppa now. 254 00:21:03,137 --> 00:21:07,975 When the poppa goes, the son becomes the poppa. I am the poppa, Mamma. 255 00:21:08,100 --> 00:21:10,978 Everything will be different. We'll be rich soon. 256 00:21:11,103 --> 00:21:13,522 I'll send Gina to a wonderful new school. 257 00:21:13,647 --> 00:21:18,903 And I'll buy you a lovely new kitchen, with shiny new pots and press buttons. 258 00:21:19,028 --> 00:21:23,032 I don't want buttons. I want grandchildren! 259 00:21:23,908 --> 00:21:25,743 Mamma. 260 00:21:26,493 --> 00:21:30,623 You hear that? Your mamma wants grandchildren. 261 00:21:31,916 --> 00:21:34,460 You're a crook... steal her some. 262 00:21:35,252 --> 00:21:38,255 Mamma, turn around. I am going to hit Gina. 263 00:21:38,380 --> 00:21:41,467 Go on, hit me. You don't know any different. 264 00:21:41,592 --> 00:21:43,636 Crook. Fugitive. 265 00:21:43,761 --> 00:21:47,348 You can never walk in the street and say "I am Aldo Vanucci." 266 00:21:47,473 --> 00:21:52,186 I'm not going to live that way. I'm going to be me. I'm going to be rich and famous. 267 00:21:52,311 --> 00:21:58,776 One day, people will point to me and say "That's her. That's Gina Romantica." 268 00:21:58,901 --> 00:22:01,070 - Gina Romantica? - Hm. 269 00:22:01,195 --> 00:22:05,115 I'm changing my name. I don't like "Vanucci". 270 00:22:05,240 --> 00:22:07,660 You won't change your name nor become a movie star. 271 00:22:07,785 --> 00:22:12,623 You will do as I tell you and I tell you this: I am Aldo Vanucci! 272 00:22:12,748 --> 00:22:17,127 And I am proud of it and I will shout it to the world! 273 00:22:17,252 --> 00:22:19,171 I am Aldo Vanucci! 274 00:22:19,296 --> 00:22:21,924 - The police. - Police. 275 00:22:23,008 --> 00:22:25,052 The police. 276 00:22:25,803 --> 00:22:30,140 Remember, I am the poppa and the brother, so don't say nothing. 277 00:22:30,265 --> 00:22:32,309 Understood? 278 00:23:11,682 --> 00:23:13,726 (DOG SNARLS) 279 00:23:24,653 --> 00:23:26,613 No. 280 00:23:40,210 --> 00:23:46,216 Tell your son, Mrs Vanucci, that we'll get him. Like we always get him. 281 00:23:49,344 --> 00:23:50,679 (WEEPS) 282 00:23:57,644 --> 00:23:58,770 Mamma! 283 00:23:58,896 --> 00:24:01,190 Are you all right? Mamma, please. 284 00:24:01,315 --> 00:24:04,902 Speak to me. Say something. Mamma, please. 285 00:24:06,904 --> 00:24:09,865 Is this what I raised my children for? 286 00:24:09,990 --> 00:24:11,909 Well, I won't watch. 287 00:24:12,034 --> 00:24:16,830 Do what you want with your life. I don't care, because mine will soon be over! 288 00:24:16,955 --> 00:24:20,209 - No, Mamma, no! - I want to die in front of my neighbours. 289 00:24:20,334 --> 00:24:21,752 No, Mamma! 290 00:24:21,877 --> 00:24:24,421 (MAMMA WEEPS HYSTERICALLY) 291 00:24:29,134 --> 00:24:31,553 Mamma, 292 00:24:31,678 --> 00:24:36,058 perhaps I have failed you and Gina. 293 00:24:36,183 --> 00:24:40,312 But the Fox will not fail. 294 00:24:47,903 --> 00:24:52,241 It's Vanucci. There has been a change in the plans. The Fox is out of the tree. 295 00:24:52,366 --> 00:24:54,576 We are taking the gold of Cairo job. 296 00:24:54,701 --> 00:24:58,330 Tell the contact to meet me eight o'clock at the Grotta Rossa tomorrow. 297 00:24:58,455 --> 00:24:59,873 Understood? 298 00:24:59,998 --> 00:25:01,291 What? 299 00:25:01,416 --> 00:25:03,502 Oh. All right. 300 00:25:03,627 --> 00:25:09,174 You tell your poppa the message I give now when he come in. Yes? 301 00:25:09,299 --> 00:25:11,176 Good. Bye. 302 00:25:33,365 --> 00:25:37,869 This is the famous Red Grotto restaurant. Typical early Italian. 303 00:25:37,995 --> 00:25:42,082 You are entitled to one plate of spaghetti, one glass of wine, one song. 304 00:25:42,207 --> 00:25:45,335 Please, tip the musicians. I will meet you in the bus. 305 00:25:45,460 --> 00:25:47,504 Please, come in. Please. 306 00:25:56,805 --> 00:26:00,809 (SPEAKS GARBLED WORDS IN AMERICAN ACCENT) 307 00:26:01,893 --> 00:26:04,062 Uh-huh. Uh-huh. 308 00:26:04,187 --> 00:26:07,065 (CONTINUES IN GARBLED SPEECH) 309 00:26:22,372 --> 00:26:24,249 - Where's the contact? - Table six. 310 00:26:24,374 --> 00:26:26,209 Six. 311 00:26:32,924 --> 00:26:34,009 Ooh! 312 00:26:34,134 --> 00:26:37,471 That's a very beautiful contact. 313 00:26:38,764 --> 00:26:42,976 (ASKS TO TAKE A PHOTOGRAPH IN GARBLED AMERICAN) 314 00:26:43,101 --> 00:26:44,728 Grazie. 315 00:26:44,853 --> 00:26:48,273 (CONTINUES IN GARBLED SPEECH) 316 00:27:05,499 --> 00:27:09,586 Excuse me. It's a little crowded at my table. May I join you? 317 00:27:09,711 --> 00:27:14,883 MAN'S VOICE: By all means. We don't wish to attract attention, do we? 318 00:27:15,008 --> 00:27:18,303 Please excuse these overelaborate precautions, 319 00:27:18,428 --> 00:27:21,723 but I think you are far less conspicuous 320 00:27:21,848 --> 00:27:28,063 talking to a beautiful woman than to a swarthy-looking man in a fez. True? 321 00:27:32,901 --> 00:27:37,405 True. And far more delightful. 322 00:27:37,531 --> 00:27:39,074 Good. 323 00:27:39,199 --> 00:27:42,369 We see eye to eye even though we're back-to-back. 324 00:27:42,494 --> 00:27:46,790 My name is Okra. The girl? The girl is unimportant. 325 00:27:46,915 --> 00:27:48,667 Oh. 326 00:27:49,751 --> 00:27:53,922 - Order drinks. - Waiter, three whiskies. 327 00:27:54,047 --> 00:27:57,676 - Two drinks. I'm not with you. - Sorry, two. 328 00:27:57,801 --> 00:28:02,681 We can't afford mistakes at this stage of the game, can we, Signor Fox? 329 00:28:02,806 --> 00:28:06,351 Or should I say "partner"? 330 00:28:06,476 --> 00:28:10,230 We are not yet partners, Signor Okra. 331 00:28:11,064 --> 00:28:14,985 - Cigarette? - I do not smoke. But the girl does. 332 00:28:22,450 --> 00:28:25,287 One whisky. One wine. 333 00:28:25,412 --> 00:28:27,956 You are with the tourists. 334 00:28:29,916 --> 00:28:32,127 Now then, my proposition. 335 00:28:33,295 --> 00:28:36,381 It would be better if I held your hand. 336 00:28:37,799 --> 00:28:41,970 - That's better. You were saying? - I will come directly to the point. 337 00:28:42,095 --> 00:28:49,144 My confederates and I, we have in our possession over 300 bars of gold bullion. 338 00:28:52,355 --> 00:28:54,524 Where is the gold now? 339 00:28:54,649 --> 00:28:57,360 Somewhere on the high seas. 340 00:28:57,485 --> 00:29:00,155 - Interesting. Continue. - I'll be brief. 341 00:29:00,280 --> 00:29:03,992 - Take your time. No hurry. - I can't hear you. What are you doing? 342 00:29:04,117 --> 00:29:08,038 I am throwing off suspicion. Keep talking, please. 343 00:29:08,163 --> 00:29:14,252 My clients, extremely powerful men, expect delivery in Rome on the 28th. 344 00:29:14,377 --> 00:29:16,921 Two weeks from today. Is this possible? 345 00:29:17,047 --> 00:29:19,215 Everything is possible. 346 00:29:19,340 --> 00:29:21,384 Now, this is my offer. 347 00:29:21,509 --> 00:29:26,264 For the plan and execution of importing the gold into Italy and delivery to Rome, 348 00:29:26,389 --> 00:29:30,977 I offer to you 25 per cent of the profits. Hm? Are you satisfied? 349 00:29:31,102 --> 00:29:35,690 - Not yet, not yet. - My clients are impatient. 30 per cent? 350 00:29:35,815 --> 00:29:37,859 I'm sorry, I can't hear you. 351 00:29:37,984 --> 00:29:41,946 40 per cent. This is the loudest I can talk. Did you hear that? 352 00:29:42,071 --> 00:29:45,950 - I can hear it, but I don't want it. - Then what do you want? 353 00:29:46,075 --> 00:29:50,288 - More meetings. - Impossible. Fifty-fifty, my last offer. 354 00:29:50,413 --> 00:29:52,999 Well, we must take what we can get. 355 00:29:53,124 --> 00:29:58,838 I can see now why you're called the Fox. I suppose that we have a deal, signor. 356 00:29:59,964 --> 00:30:01,549 Considered. 357 00:30:07,263 --> 00:30:10,308 (WHISTLES) 358 00:30:12,310 --> 00:30:15,313 And may I say that it has been a great pleasure 359 00:30:15,438 --> 00:30:19,567 doing business with a man as beautiful as you? 360 00:30:19,692 --> 00:30:22,028 Everybody back on the bus. 361 00:30:22,153 --> 00:30:23,988 Bye. 362 00:30:29,035 --> 00:30:32,038 TOUR GUIDE: Next stop Mamma Luigi's. 363 00:30:32,163 --> 00:30:35,750 Can I have your pizza orders now, please? 364 00:30:37,293 --> 00:30:40,004 (BRASS BAND PLAYS JAUNTY TUNE) 365 00:30:41,339 --> 00:30:46,261 No market. Another national holiday. We won't eat today. 366 00:30:46,386 --> 00:30:49,681 That's right, tell the world where we are. Imbecile! 367 00:30:49,806 --> 00:30:51,849 Shh, shh. 368 00:30:53,268 --> 00:30:54,561 He is thinking. 369 00:30:54,686 --> 00:31:00,191 Well, he has three more days to think of a plan. They want the gold on the 28th. 370 00:31:00,316 --> 00:31:02,193 - (KNOCKING) - Who is it? 371 00:31:02,318 --> 00:31:03,861 Friends. 372 00:31:04,487 --> 00:31:06,531 Come in. 373 00:31:07,073 --> 00:31:08,616 Hey. Hey. 374 00:31:08,741 --> 00:31:10,785 - The police. - Ooh. 375 00:31:12,620 --> 00:31:13,705 (KNOCKING) 376 00:31:13,830 --> 00:31:15,540 Just a minute. 377 00:31:15,665 --> 00:31:18,001 I'm not dressed. 378 00:31:18,543 --> 00:31:20,420 Aldo, the police are here. 379 00:31:20,545 --> 00:31:23,715 Do you hear us, Aldo? It's the police! 380 00:31:25,008 --> 00:31:28,761 Aldo, stop thinking for a minute. The police are here. 381 00:31:28,886 --> 00:31:30,763 - Ooh! - Uh? 382 00:31:30,888 --> 00:31:34,559 - Where am I? - You're in the bath. The police are here. 383 00:31:34,684 --> 00:31:37,228 - The police? - Yes. 384 00:31:43,026 --> 00:31:46,112 Open up. Open up or we'll break it down. 385 00:31:53,703 --> 00:31:56,247 - All right, where is he? - Who? 386 00:32:02,086 --> 00:32:04,130 In the bathroom. 387 00:32:16,059 --> 00:32:19,353 All right, Vanucci. Come on out. 388 00:32:31,532 --> 00:32:34,452 (GLASS BREAKS AND CAT WAILS) 389 00:32:50,093 --> 00:32:56,307 You tell Vanucci I'll get him. One of these days he is going to expose himself. 390 00:33:00,937 --> 00:33:03,147 (WHISTLES) 391 00:33:50,152 --> 00:33:52,280 Aldo? Aldo? 392 00:33:52,405 --> 00:33:53,948 Uh? 393 00:33:54,073 --> 00:33:56,325 - She's gone. - What? 394 00:33:56,450 --> 00:33:58,327 The Via Veneto again. 395 00:33:58,452 --> 00:34:02,290 - This time I kill her! - No. No. No, Aldo. 396 00:34:02,415 --> 00:34:05,751 Gina's a good girl. She's just young, that's all. 397 00:34:05,876 --> 00:34:08,629 - Aldo. Aldo! - Huh? 398 00:34:08,754 --> 00:34:11,048 Not like that. 399 00:34:11,173 --> 00:34:13,009 Oh. 400 00:34:21,517 --> 00:34:24,604 How would you like that, my dear? 401 00:34:32,987 --> 00:34:35,531 (CAR SKIDS AND HORN BLARES) 402 00:34:51,756 --> 00:34:54,425 - Caught you again. - Get away from me! 403 00:34:54,550 --> 00:34:57,219 - What's wrong, Officer? - Hey, you! 404 00:34:57,345 --> 00:34:59,263 Watch out. You're in the picture. 405 00:34:59,388 --> 00:35:03,809 I warn you! I warn you, no more pictures with my sister. 406 00:35:03,934 --> 00:35:05,853 - Gott in Himmel. - Aldo! 407 00:35:05,978 --> 00:35:08,022 It's not a movie! It's not! 408 00:35:08,147 --> 00:35:11,442 Nein, nein! Mein Kamera, mein Kamera! 409 00:35:11,567 --> 00:35:13,944 Excuse me. Excuse me. 410 00:35:14,070 --> 00:35:15,780 Come on. Ah! 411 00:35:19,033 --> 00:35:21,077 (GINA HUMS) 412 00:35:30,002 --> 00:35:33,798 That was a real producer and he was going to give me a part in his film. 413 00:35:33,923 --> 00:35:36,842 - He had a contract. - And a pen in his hotel room. 414 00:35:36,967 --> 00:35:41,180 - Is this to be the life, running away? - Permesso, permesso. 415 00:35:41,305 --> 00:35:42,723 Permesso. 416 00:35:42,848 --> 00:35:45,559 Stand aside, please. Don't block the entrance. 417 00:35:45,684 --> 00:35:49,438 That's right. Stand aside. Don't block the entrance. 418 00:35:49,563 --> 00:35:52,108 - Here he comes! - (CHEERING) 419 00:35:55,111 --> 00:35:56,779 I was here first. 420 00:35:56,904 --> 00:35:58,864 - Who is it? - It's a movie star. 421 00:35:58,989 --> 00:36:01,951 - Which one? - Who cares which one? It's a movie star. 422 00:36:03,285 --> 00:36:08,374 - Who is it? Can you see? - Just his nose. Looks like Marlon Brando. 423 00:36:08,499 --> 00:36:11,168 - What did she say? - Who is in the car? 424 00:36:11,293 --> 00:36:13,337 Marlon Brando's nose. 425 00:36:15,923 --> 00:36:17,007 Ah! 426 00:36:17,132 --> 00:36:19,760 It's Tony Powell. 427 00:36:22,638 --> 00:36:25,349 - Come on, let's go. - I don't want to go. 428 00:36:25,474 --> 00:36:28,561 I want to see Tony Powell. 429 00:36:31,105 --> 00:36:35,526 Silence! Silence! Hold it! Give him a break, kids! 430 00:36:35,651 --> 00:36:38,737 Come on, give him a break. Let him through. 431 00:36:49,415 --> 00:36:52,251 Stop it, you crazy kids, you! 432 00:36:52,376 --> 00:36:54,795 They're insane. Is this what you want? 433 00:36:54,920 --> 00:36:57,798 - To have the clothes torn off your back? - Yes. 434 00:36:57,923 --> 00:36:59,675 - Hey! - GINA: I want it! 435 00:36:59,800 --> 00:37:02,344 - There he is! - Give it to me. 436 00:37:02,469 --> 00:37:04,930 Who wants his collar? 437 00:37:34,126 --> 00:37:37,212 Quick, let's hide in this cinema. 438 00:37:38,672 --> 00:37:41,884 - No, no, no. I've seen this picture. - See it again. 439 00:37:42,009 --> 00:37:46,138 - There is a Tony Powell picture, there. - Come on, then. 440 00:37:48,223 --> 00:37:50,559 Oh, here, in here. 441 00:37:54,730 --> 00:37:56,857 - Tickets. - Carabiniere. 442 00:38:22,174 --> 00:38:24,218 Carabiniere. 443 00:38:26,387 --> 00:38:28,514 GINA: That's him. 444 00:38:28,639 --> 00:38:31,016 - Who? - Tony Powell. 445 00:38:31,141 --> 00:38:33,894 - We just saw him in the Excelsior. - Ah. 446 00:38:37,898 --> 00:38:41,026 - Why isn't he fat? - It's an old picture. 447 00:38:43,237 --> 00:38:47,366 Hello. I wanna talk to the overseas operator, please. That's right. 448 00:38:47,491 --> 00:38:51,495 I wonder what's the matter with my stomach. What do they put in lasagne? 449 00:38:51,620 --> 00:38:55,666 Lasagne? At your age it's hard to digest corn flakes. Operator? 450 00:38:55,791 --> 00:38:58,710 What do you mean, at my age? 451 00:38:58,836 --> 00:39:02,172 Take a look at this. I've still got the pupils of a young boy. 452 00:39:02,297 --> 00:39:06,844 Don't try telling it to the camera. Hello. I wanna talk to America. 453 00:39:06,969 --> 00:39:09,805 The United States of America! What the... 454 00:39:09,930 --> 00:39:12,224 Look at those teeth, Harry. 455 00:39:12,349 --> 00:39:15,185 Just look at 'em. (LAUGHS) 456 00:39:15,310 --> 00:39:19,690 How many people in the world over 40 can still say they have their own teeth? 457 00:39:19,815 --> 00:39:23,277 And how many people over 50 can still say they're only 40? 458 00:39:23,402 --> 00:39:27,531 Hello. I wanna talk to Hollywood, California, please. Hollywood! 459 00:39:27,656 --> 00:39:29,700 I am speaking English! 460 00:39:29,825 --> 00:39:31,952 Look at this. 461 00:39:32,077 --> 00:39:36,081 Look at this. Solid as a rock. Come on, give me a hit in the stomach. 462 00:39:36,206 --> 00:39:38,667 I'll hit you later, Tony. I'm making a call. 463 00:39:38,792 --> 00:39:43,171 - Sam Duffleman of Duffleman Studios. - Just one shot to the stomach. 464 00:39:43,839 --> 00:39:47,426 Excuse me, Operator. I have to hit someone. 465 00:39:50,137 --> 00:39:53,223 (LAUGHS) You satisfied? 466 00:39:53,348 --> 00:39:56,059 - Satisfied. Give me an answer for Sam. - Later. 467 00:39:56,184 --> 00:39:59,187 I've got to take a shower. 468 00:39:59,313 --> 00:40:01,648 Hello. Beverly Hills, 42222. 469 00:40:01,773 --> 00:40:03,191 No. 2222. 470 00:40:06,194 --> 00:40:08,822 They're getting him. Give me an answer. 471 00:40:08,947 --> 00:40:10,699 Tony! 472 00:40:10,949 --> 00:40:12,784 Tony! 473 00:40:13,410 --> 00:40:15,245 Tony? 474 00:40:16,747 --> 00:40:19,875 - What are you doing? - I'm looking for my vitamin pills. 475 00:40:20,000 --> 00:40:21,960 Why not put your glasses on? 476 00:40:22,085 --> 00:40:26,214 Why don't you send for a wheelchair and have me rolled into the old actors' home? 477 00:40:26,340 --> 00:40:29,426 I don't care what it says in Who's Who. I still feel 35. 478 00:40:29,551 --> 00:40:31,720 And you can tell Sam Duffleman, 479 00:40:31,845 --> 00:40:36,975 if he wants me to play a 64-year-old sheriff, he'll have to wait another 20 years. 480 00:40:37,100 --> 00:40:39,561 Who's gonna believe you're 64?! 481 00:40:39,686 --> 00:40:42,522 63-year-old ladies. 482 00:40:42,648 --> 00:40:47,819 That trench coat is your bread and butter. Without it you have 10 per cent of nothing. 483 00:40:47,944 --> 00:40:52,991 - You don't have to be 64. You could be 60. - I don't wanna be 60! I wanna be 40. 484 00:40:53,116 --> 00:40:57,162 - How can you be 40 when your son is 35? - They can make the son 25. 485 00:40:57,287 --> 00:41:01,291 - How can they when his wife is 30? - And then? 486 00:41:01,416 --> 00:41:03,502 I can be his brother. 487 00:41:03,627 --> 00:41:09,007 Tony, I wish we could turn the clock back for you. We all wanna stay young. 488 00:41:09,132 --> 00:41:12,177 But you can't lie to the close-up lens. You know that. 489 00:41:12,302 --> 00:41:15,138 If you lead the charge of the Light Brigade in a corset, 490 00:41:15,263 --> 00:41:18,350 they'll laugh you right off the screen. 491 00:41:19,768 --> 00:41:23,105 I'd rather get laughs than sympathy. 492 00:41:24,272 --> 00:41:27,859 - You all right? - Of course I'm all right. 493 00:41:31,113 --> 00:41:33,615 I was only trying to prove how agile I am. 494 00:41:41,456 --> 00:41:43,166 Oh! 495 00:41:43,291 --> 00:41:45,752 He's a good kisser. 496 00:41:47,087 --> 00:41:51,800 Do you know how many good kissers are starving in Italy? 497 00:41:51,925 --> 00:41:55,053 If you're in the movies they give you millions of dollars. 498 00:41:55,178 --> 00:41:58,765 Women tear your clothes off. Police protect you wherever you go. 499 00:41:58,890 --> 00:42:00,934 I tell you, it's a... 500 00:42:03,562 --> 00:42:05,397 Wait a minute. 501 00:42:05,522 --> 00:42:08,233 Police protect you... 502 00:42:09,734 --> 00:42:12,279 Did you hear what I said? Did you hear what I said? 503 00:42:12,779 --> 00:42:15,615 - Shh! - That's it. I've got it. 504 00:42:15,740 --> 00:42:19,327 I've got a plan! I've got a plan! Ha! 505 00:42:19,452 --> 00:42:24,249 Come, come. Ha, I've got a plan. 506 00:42:27,169 --> 00:42:29,462 Quiet! Quiet on the set! 507 00:42:29,588 --> 00:42:33,466 Ready, Mr De Sica. Ready with the camera. 508 00:42:33,592 --> 00:42:35,510 Quiet, everybody! 509 00:42:35,635 --> 00:42:37,679 Quiet on set! 510 00:42:39,389 --> 00:42:42,184 (APPLAUSE) 511 00:42:43,226 --> 00:42:46,438 Please, save the applause for when I'm finished. 512 00:42:46,563 --> 00:42:50,400 This afternoon we shoot the scene 513 00:42:50,525 --> 00:42:57,949 when Mr John Huston, Moses, leads the slaves into the desert. 514 00:42:58,074 --> 00:42:59,534 (SNAPS FINGERS) 515 00:42:59,659 --> 00:43:01,953 I want more sand in the desert! 516 00:43:02,078 --> 00:43:04,873 More sand! More sand! 517 00:43:04,998 --> 00:43:08,627 - Let me look at the slaves. - Bring on the slaves! 518 00:43:09,044 --> 00:43:13,006 Left. Left. Left, right. Left, right. 519 00:43:13,131 --> 00:43:18,637 Come along there. Pick up your steps. Come along. Left, right. Left, right. Left. 520 00:43:18,762 --> 00:43:20,805 Slaves, halt! 521 00:43:20,931 --> 00:43:22,974 Right turn. 522 00:43:29,731 --> 00:43:31,775 Ready, Mr De Sica. 523 00:43:31,900 --> 00:43:33,777 Good. 524 00:43:33,902 --> 00:43:37,405 We start with the sandstorm. 525 00:43:37,530 --> 00:43:39,658 Please, Mr Huston, please. 526 00:43:39,783 --> 00:43:42,327 Clapper. Roll them! 527 00:43:42,452 --> 00:43:44,621 Uno, prima. 528 00:43:44,746 --> 00:43:47,499 - Action! - Start the blowers! 529 00:43:50,710 --> 00:43:52,587 - More sand! - More sand! 530 00:43:52,712 --> 00:43:54,756 More sand! 531 00:43:55,507 --> 00:43:57,342 - More wind! - More wind! 532 00:43:57,467 --> 00:43:59,511 More wind! 533 00:44:03,014 --> 00:44:04,891 - Stop! - Stop! 534 00:44:05,016 --> 00:44:07,060 Stop, stop, stop! 535 00:44:18,405 --> 00:44:21,449 - Where is the camera? - And the lamps? 536 00:44:36,381 --> 00:44:37,757 Sevalio. 537 00:44:37,882 --> 00:44:41,553 That's it. That's good for landing the gold. 538 00:45:16,337 --> 00:45:18,006 (BLOWS WHISTLE) 539 00:45:18,923 --> 00:45:21,134 Beautiful little boy. 540 00:45:24,262 --> 00:45:26,014 Eh? Eh, eh? 541 00:45:26,139 --> 00:45:28,099 - A smoke? - Uh-uh. 542 00:45:28,224 --> 00:45:31,769 Beautiful little boy, tell me, is there a good hotel in this town? 543 00:45:31,895 --> 00:45:37,650 Giovanni, get away from there. Don't talk to strange people. 544 00:45:37,775 --> 00:45:40,028 (BLOWS WHISTLE) 545 00:45:40,653 --> 00:45:42,488 Nice friendly little town, this. 546 00:45:42,614 --> 00:45:46,034 It's like this in all these poor little villages, direttore. 547 00:45:46,159 --> 00:45:49,329 They don't trust people from the city. 548 00:45:49,454 --> 00:45:55,043 How my heart goes out to these poor forgotten people. Eh? 549 00:45:55,752 --> 00:45:58,296 Dear poor forgotten lady, 550 00:45:59,505 --> 00:46:02,258 how would you like to have this? 551 00:46:06,012 --> 00:46:11,392 Gina, sweetheart, darling, go and stand on the film fountain. There's a good girl. 552 00:46:11,517 --> 00:46:16,022 Now then, for this shot I absolutely need to have the 14 reflex... 553 00:46:16,147 --> 00:46:18,983 Not that reflex. With the 75 opening. 554 00:46:19,108 --> 00:46:21,778 Put that Hollywood film camera over there. 555 00:46:21,903 --> 00:46:25,323 Hurry. Time is money, time is money. Come, come, come. 556 00:46:25,448 --> 00:46:32,038 We begin with the long full tracking thing. Panning the camera. Putting it down. 557 00:46:32,163 --> 00:46:35,875 - They're making a movie. - Good. Hah! 558 00:46:36,960 --> 00:46:40,129 They're making a movie in Sevalio! 559 00:46:40,254 --> 00:46:45,176 - Papa, come back. You're sick. - The movie, I want to be in the movie. 560 00:46:52,558 --> 00:46:57,021 Rosa, close the shop. We are going to be in the movie. 561 00:47:02,110 --> 00:47:04,153 Hey, hey, Mr Director! 562 00:47:05,321 --> 00:47:08,658 Here's my Giovanni. Pick my Giovanni, Mr Director. 563 00:47:08,783 --> 00:47:11,661 Let me through. They are staying at my house. 564 00:47:11,786 --> 00:47:14,122 I am your wife. Tell them, I am your wife. 565 00:47:14,247 --> 00:47:16,749 - I am the cafй owner. - I am the mayor. 566 00:47:16,874 --> 00:47:18,918 Yes, yes. Federico Fabrizi. 567 00:47:19,043 --> 00:47:21,921 - Don't push! - Don't push. Don't push. 568 00:47:22,046 --> 00:47:23,840 Don't push. Don't push. 569 00:47:23,965 --> 00:47:27,510 Everybody will be in the picture, but don't push. 570 00:47:27,635 --> 00:47:29,679 ALL: Don't push! 571 00:47:30,888 --> 00:47:34,434 - What's happening? - Ah! Get away. I was here first. 572 00:47:34,559 --> 00:47:38,229 I demand to know what's happening. I am the chief of police. Let me through. 573 00:47:38,354 --> 00:47:41,858 Let the police through. Let the police through. Let me through. 574 00:47:44,527 --> 00:47:46,571 Permit me! 575 00:47:53,327 --> 00:47:56,914 Rizzuto, Chief of Police. What's going on here, please? 576 00:47:59,167 --> 00:48:00,168 (LAUGHS) 577 00:48:00,293 --> 00:48:02,795 We are trying to make a movie here. 578 00:48:04,422 --> 00:48:07,467 - Can I see your permit, please? - My what? 579 00:48:07,592 --> 00:48:12,180 Your official permit. If you don't have a permit, you can't make a movie. 580 00:48:12,305 --> 00:48:15,141 No. Stop it! Stop it! 581 00:48:15,266 --> 00:48:17,393 (BLOWS WHISTLE) 582 00:48:17,518 --> 00:48:21,647 - We should talk before they kill you. - CROWD: Yeah! 583 00:48:22,940 --> 00:48:27,445 - Please. - It's always like this when I'm filming. 584 00:48:27,570 --> 00:48:30,072 - Please. Please. - For me. 585 00:48:31,032 --> 00:48:32,825 Starring Gina Romantica 586 00:48:32,950 --> 00:48:36,329 and the internationally handsome star Tony Powell. 587 00:48:36,454 --> 00:48:43,044 Well, Signor Fabrizi, this is a great honour for Sevalio, a great honour. 588 00:48:43,169 --> 00:48:45,671 - Have a cigar. - Ah. 589 00:48:45,796 --> 00:48:48,716 - I couldn't take your last one. - Thank you. 590 00:48:48,841 --> 00:48:52,512 So, you say you actually know Signor Tony Powell? 591 00:48:52,637 --> 00:48:55,515 I am his director, producer and best friend. 592 00:48:55,640 --> 00:49:00,853 Yes. But I mean, you actually know him to talk to, in the same room, up close? 593 00:49:00,978 --> 00:49:02,396 Ah. 594 00:49:02,521 --> 00:49:08,194 Just the same, just exactly the same as you and I are talking now. 595 00:49:08,319 --> 00:49:09,654 Cigarette? 596 00:49:09,779 --> 00:49:12,323 Thank you. Hmm. 597 00:49:12,448 --> 00:49:15,368 English. Very nice. 598 00:49:15,493 --> 00:49:18,871 Now then, the business of the permit. 599 00:49:18,996 --> 00:49:22,959 Just because I am Federico Fabrizi, the star maker, 600 00:49:23,084 --> 00:49:26,212 I don't expect to get any special treatment. 601 00:49:26,337 --> 00:49:28,798 Yes. Hm. Interesting. 602 00:49:28,923 --> 00:49:33,135 I'm glad we agree on that. What's interesting? 603 00:49:33,261 --> 00:49:37,932 You must excuse me, but every time I see a face with good bone structure, 604 00:49:38,057 --> 00:49:42,353 immediately I picture that face up on the screen. 605 00:49:43,354 --> 00:49:47,274 - You were saying about the application? - We must file an application in Roma, 606 00:49:47,400 --> 00:49:52,154 which goes to the district supervisor, and then to me for final approval. 607 00:49:52,279 --> 00:49:55,533 In what way do I have good bone structure? 608 00:49:57,410 --> 00:50:02,373 In films, either you have got a face, or you don't got a face. 609 00:50:02,498 --> 00:50:04,709 You have got a face. 610 00:50:04,834 --> 00:50:06,419 - Can I have it, please? - What? 611 00:50:06,544 --> 00:50:10,297 - The application form. - Oh, yes, yes. 612 00:50:10,423 --> 00:50:13,467 I'm sure I have got one here somewhere. 613 00:50:14,093 --> 00:50:16,554 And you say I have a face, eh? 614 00:50:16,679 --> 00:50:20,016 I noticed it when the light hit you from the side. 615 00:50:20,141 --> 00:50:23,728 - Did you look on the shelves? - Not yet. 616 00:50:25,521 --> 00:50:28,065 Everything is in such a mess. 617 00:50:30,443 --> 00:50:31,819 Oh! 618 00:50:31,944 --> 00:50:34,447 Here it is. Here it is. 619 00:50:34,572 --> 00:50:37,241 Permit for parades and special events. 620 00:50:37,366 --> 00:50:38,367 Oh! 621 00:50:38,492 --> 00:50:41,954 - Sorry. - All right. You have good bone structure. 622 00:50:42,079 --> 00:50:47,793 Now then, you would be required to have this filled out in triplicate. 623 00:50:47,918 --> 00:50:51,547 And then it must be brought to be stamped at the Bureau of... 624 00:50:51,672 --> 00:50:53,966 - Is anything wrong? - Please, continue. 625 00:50:54,091 --> 00:50:57,011 The Bureau of Approval, which would... 626 00:50:57,136 --> 00:51:00,222 I wonder. I wonder. 627 00:51:00,347 --> 00:51:04,643 - No, no, I couldn't ask it. - What is it? Ask me. Go ahead, ask me. 628 00:51:04,769 --> 00:51:07,313 No, I couldn't ask you. You are a policeman. 629 00:51:07,438 --> 00:51:13,652 That's what policemen are for... to ask them things. Go ahead, ask me. 630 00:51:13,778 --> 00:51:19,283 Well, I couldn't ask you to actually act in the picture 631 00:51:19,408 --> 00:51:22,995 because I only use professionals for the talking parts. 632 00:51:23,120 --> 00:51:27,166 No, I couldn't act. I'm a policeman. Don't ask me to act. 633 00:51:27,291 --> 00:51:29,502 Of course not. 634 00:51:29,627 --> 00:51:32,546 What were you going to ask me? 635 00:51:32,671 --> 00:51:37,134 Well, if, after I got the permit to film in Sevalio, 636 00:51:37,259 --> 00:51:39,553 if, during the shooting of the film, 637 00:51:39,678 --> 00:51:44,099 my sensitive camera were to come across an interesting face, 638 00:51:44,225 --> 00:51:45,976 with good bone structure, 639 00:51:46,101 --> 00:51:50,981 a face that could be in a crowd, sitting at a cafй... 640 00:51:51,106 --> 00:51:54,109 - Walking along the street. - Walking along the street. 641 00:51:54,235 --> 00:51:58,739 Who could object to that? You wouldn't be acting, you would not be saying anything. 642 00:51:58,864 --> 00:52:02,117 I wouldn't say anything because that would be acting. 643 00:52:02,243 --> 00:52:07,039 I could say "Good morning." That wouldn't be acting. I always say it. 644 00:52:07,164 --> 00:52:10,292 There is a character in this film that says "Good morning." 645 00:52:10,417 --> 00:52:14,922 - It's a milkman, but I could change it. - I don't want you to change your story. 646 00:52:15,047 --> 00:52:18,050 I just take out the milkman and put in a policeman. 647 00:52:18,175 --> 00:52:20,970 Then I'm a policeman? So I could do it? 648 00:52:21,095 --> 00:52:23,889 Yes, it's settled. 649 00:52:24,014 --> 00:52:28,477 You start the picture, I'll take care of the application. 650 00:52:28,602 --> 00:52:30,396 That is a wonderful wink. 651 00:52:30,521 --> 00:52:34,358 Maybe we could use that wink when you say "Good morning." 652 00:52:34,483 --> 00:52:38,028 Whatever you want, you are the director. 653 00:52:38,153 --> 00:52:42,908 Again, my deepest gratitude. And... good morning. 654 00:52:43,033 --> 00:52:44,535 Good morning. 655 00:52:44,660 --> 00:52:47,454 Such a deep rich voice. 656 00:52:47,579 --> 00:52:49,623 (SCREAMS HYSTERICALLY) 657 00:52:56,338 --> 00:53:01,760 Excuse me, excuse me, but we film people must give vent to our feelings. 658 00:53:01,885 --> 00:53:04,263 And I have just vented. 659 00:53:04,388 --> 00:53:06,432 Good morning. 660 00:53:08,642 --> 00:53:11,478 Good morning. 661 00:53:12,688 --> 00:53:13,689 Good morning. 662 00:53:18,360 --> 00:53:20,946 - OKRA: You have the plan? - ALDO: Yes. 663 00:53:21,071 --> 00:53:25,200 Brilliant in its conception, daring in its execution. 664 00:53:25,325 --> 00:53:29,038 OKRA: How do you get the gold into the country, hm? 665 00:53:29,163 --> 00:53:33,542 On a ship, in broad daylight, with police protection. 666 00:53:33,667 --> 00:53:36,378 Trust me. I'll see you later in the stable. 667 00:53:45,179 --> 00:53:47,389 TONY: 668 00:53:47,514 --> 00:53:50,684 spring has sprung 669 00:53:50,809 --> 00:53:53,562 670 00:53:53,687 --> 00:53:55,647 671 00:53:55,773 --> 00:53:58,817 - (PHONE) - 672 00:53:59,526 --> 00:54:01,069 Tony! 673 00:54:01,195 --> 00:54:02,738 - Tony! - What? 674 00:54:02,863 --> 00:54:06,200 Did you ever hear of a director called Federico Fabrizi? 675 00:54:06,325 --> 00:54:07,409 No. 676 00:54:07,534 --> 00:54:10,287 He's downstairs. He wants to talk about a picture. 677 00:54:10,412 --> 00:54:13,123 - What? - A neorealistic film. 678 00:54:13,248 --> 00:54:16,001 Send him up. What's neorealism? 679 00:54:16,126 --> 00:54:18,629 No money. Send him up. 680 00:54:19,129 --> 00:54:22,382 Cleopatra Suite, Mr Fabrizi. Fifth floor. 681 00:54:22,508 --> 00:54:27,387 I do all the talking. You will not accept nothing unless I say so. You understand? 682 00:54:27,513 --> 00:54:29,765 Yeah. I'm gonna wear my trench coat. 683 00:54:29,890 --> 00:54:32,893 I'm gonna see what he's done, find out about the money. 684 00:54:33,018 --> 00:54:36,313 I wanna control the script, casting, everything. Right? 685 00:54:36,438 --> 00:54:40,526 Right. I'm gonna sit here, so when he comes in he'll get my best side. 686 00:54:40,651 --> 00:54:42,319 Oh, I've got it. 687 00:54:42,444 --> 00:54:45,489 I'll get everything on paper and two fares to California. 688 00:54:45,614 --> 00:54:48,867 As soon as he comes in, I'll make an entrance. 689 00:54:48,992 --> 00:54:53,330 Come here, will you? Sit down and let me handle this. You're a star! 690 00:54:53,455 --> 00:54:56,917 Pull the shades. I don't wanna squint, it crinkles my eyes. 691 00:54:57,042 --> 00:54:59,086 (KNOCK AT DOOR) 692 00:55:04,049 --> 00:55:07,177 - Federico Fabrizi. - I'm sorry, I don't speak Italian. 693 00:55:07,302 --> 00:55:09,805 - I am Federico Fabrizi. - I'm Harry Granoff. 694 00:55:09,930 --> 00:55:12,641 I'm Mr Powell's manager. It's so nice to see you... 695 00:55:12,766 --> 00:55:18,438 Where is he? Where is my Tony? Where is my beautiful Tony? 696 00:55:20,190 --> 00:55:21,942 Ah. 697 00:55:22,067 --> 00:55:24,528 There he is. 698 00:55:24,653 --> 00:55:27,239 There is my Tony. 699 00:55:27,364 --> 00:55:29,408 It's Fabrizi. 700 00:55:33,453 --> 00:55:37,666 Look at that skin. Look at that skin, like a baby. 701 00:55:37,791 --> 00:55:40,377 You never get old like the rest of us, eh? 702 00:55:40,502 --> 00:55:42,754 I love him. I love him! 703 00:55:46,008 --> 00:55:48,760 Mr Fabrizi, have we ever met? 704 00:55:48,885 --> 00:55:53,181 You hear? You hear that voice? 705 00:55:54,141 --> 00:55:59,855 You don't listen to that voice. You feel that voice in here... boom, boom. 706 00:55:59,980 --> 00:56:04,192 Can you wait? Can you wait till we start to work together, eh, Tony? 707 00:56:04,318 --> 00:56:07,070 - Work together? - Cigarette. 708 00:56:07,195 --> 00:56:09,239 Cigarette, Harry. 709 00:56:14,578 --> 00:56:16,246 He's meditating. 710 00:56:16,371 --> 00:56:20,375 I see a beach, the waves pounding against the shore. 711 00:56:20,500 --> 00:56:23,795 A beautiful girl, her heart beating against her breast. 712 00:56:23,920 --> 00:56:26,506 I see a tall, handsome man. 713 00:56:27,591 --> 00:56:28,592 Huh. 714 00:56:29,676 --> 00:56:31,678 Harry, Harry, a light. 715 00:56:36,299 --> 00:56:39,302 - What was I seeing? - A tall, handsome man. 716 00:56:39,427 --> 00:56:42,097 - I don't see it. - In a trench coat. 717 00:56:42,222 --> 00:56:44,849 Now I see it. Now I see it. 718 00:56:47,477 --> 00:56:50,230 I can hear their heart beating as one. 719 00:56:50,355 --> 00:56:52,399 (THEY IMITATE HEARTBEATS) 720 00:56:54,025 --> 00:56:58,363 - I can hear the roar of the ocean. - (THEY IMITATE WAVES) 721 00:57:05,912 --> 00:57:11,084 And, finally, I can hear the music of love. 722 00:57:12,210 --> 00:57:14,671 (THEY HUM A TUNE) 723 00:57:24,347 --> 00:57:26,307 You're not crying? Shh! 724 00:57:28,435 --> 00:57:31,521 - My music does not make you cry? - It's beautiful. 725 00:57:31,646 --> 00:57:34,399 (PHONE) 726 00:57:34,524 --> 00:57:37,235 Hello? Just a minute. Milano. 727 00:57:42,866 --> 00:57:45,577 Hello. Sophia! 728 00:57:45,702 --> 00:57:47,871 Hello, my darling. 729 00:57:47,996 --> 00:57:52,876 No, Sophia, I told you, I'm busy with Tony Powell. 730 00:57:53,001 --> 00:57:56,463 I am sorry, Sophia. You will have to get somebody else. 731 00:57:56,588 --> 00:58:00,508 Sophia, I'm sorry, my darling. There is no part for you in the picture. 732 00:58:00,633 --> 00:58:02,761 Would I lie to you? 733 00:58:02,886 --> 00:58:05,889 I... So... Sophi... 734 00:58:06,014 --> 00:58:07,724 Sophia, don't cr... 735 00:58:07,849 --> 00:58:11,603 Tony, talk to this girl. She's hysterical. Talk to her, please. 736 00:58:11,728 --> 00:58:13,396 Hello? Hello, Sophia. 737 00:58:16,065 --> 00:58:20,612 - She hung up. - She'll kill me. It'll be in all the papers. 738 00:58:20,737 --> 00:58:26,659 - Why don't we use her in our picture? - What picture?! What picture?! 739 00:58:27,952 --> 00:58:31,873 Why does he yell? Why does this man yell all the time? 740 00:58:31,998 --> 00:58:37,128 If I'm gonna have trouble with these yells, I do the film with Sophia. Get Milano. 741 00:58:37,253 --> 00:58:39,172 - No, no. - Milano? 742 00:58:39,297 --> 00:58:42,675 You won't have any trouble with him, I promise you. Harry! 743 00:58:42,801 --> 00:58:45,136 - Take it easy, will you?! - Ah! 744 00:58:45,261 --> 00:58:50,141 What did I do? I just wanna know what this picture is about, that's all. 745 00:58:50,266 --> 00:58:52,393 That! 746 00:58:52,519 --> 00:58:54,646 That is what it's about. 747 00:58:56,231 --> 00:58:59,609 - Windows? - No. People. It's about people. 748 00:58:59,734 --> 00:59:01,486 Can I see a script? 749 00:59:01,611 --> 00:59:04,656 In here is my script. In here is my story. 750 00:59:04,781 --> 00:59:08,701 - Tony... Tony plays the Fox. - An animal picture. 751 00:59:08,826 --> 00:59:14,123 No. The Fox... a master criminal, with an ingenious plan to smuggle gold into Italy. 752 00:59:14,249 --> 00:59:15,917 And a surprise ending. 753 00:59:16,042 --> 00:59:18,711 - What's the plan? - That is the surprise ending. 754 00:59:18,836 --> 00:59:23,049 - I love it. When do we start shooting? - The picture will be shot on the 28th. 755 00:59:23,174 --> 00:59:26,135 - What about a contract? - Contract? 756 00:59:27,345 --> 00:59:29,472 There is my contract. 757 00:59:29,597 --> 00:59:32,183 Do I get a copy for my lawyer? 758 00:59:33,351 --> 00:59:35,520 Tony, until next week, eh? 759 00:59:35,645 --> 00:59:37,897 Right, FF. 760 00:59:38,022 --> 00:59:39,732 FF? Ah! 761 00:59:39,857 --> 00:59:41,276 Federico Fabrizi. 762 00:59:41,401 --> 00:59:43,444 That's very good. 763 00:59:45,446 --> 00:59:49,075 Hey, Tony, try to get some sleep. I think I see a little wrinkle. 764 00:59:49,200 --> 00:59:50,535 Wrinkles? 765 00:59:50,660 --> 00:59:52,745 - What about the girl? - What girl? 766 00:59:52,870 --> 00:59:56,958 On the beach. The love story. And remember, she's gotta be a name. 767 00:59:57,083 --> 01:00:00,753 Don't you worry. I have got the greatest new name in Italy. 768 01:00:00,878 --> 01:00:03,464 - Who is she? - Gina Romantica. 769 01:00:03,589 --> 01:00:07,302 - Can we get her? - If I got him, I can get her. 770 01:00:08,803 --> 01:00:09,804 Arrivederci. 771 01:00:09,929 --> 01:00:11,889 And I love you. 772 01:00:12,015 --> 01:00:14,058 (THEY HUM TUNE) 773 01:00:22,150 --> 01:00:23,318 Where does he see a wrinkle? 774 01:00:40,293 --> 01:00:43,963 Smile, Gina, smile. This is the moment you've been waiting for. 775 01:00:44,088 --> 01:00:46,424 When I see Tony Powell, I'll believe it. 776 01:00:46,549 --> 01:00:50,386 - How do you like this reception? - It's beautiful, beautiful. 777 01:00:50,511 --> 01:00:53,222 Turn your face this way. The light is better. 778 01:00:53,347 --> 01:00:56,267 - So? - No, no. Like this. 779 01:00:56,392 --> 01:00:57,852 Wonderful, wonderful. 780 01:00:57,977 --> 01:01:02,273 Oh, what a blessing when you chose us. This is a golden day for Sevalio. 781 01:01:02,398 --> 01:01:04,567 Yes. Golden. 782 01:01:04,692 --> 01:01:06,819 He's here! He's here! 783 01:01:08,488 --> 01:01:12,116 - Start the music. - I say that! I am the mayor. 784 01:01:12,241 --> 01:01:16,162 - Start the music. - (BAND PLAYS MARCH) 785 01:01:31,469 --> 01:01:33,513 (CROWD CHEERING) 786 01:01:41,020 --> 01:01:43,981 Oh, it's him. It's really him! 787 01:01:46,359 --> 01:01:49,320 Ciao. Grazie. Ciao, ciao. 788 01:01:49,445 --> 01:01:51,489 Ciao. Grazie. 789 01:01:53,866 --> 01:01:55,910 Ciao. 790 01:02:03,543 --> 01:02:05,628 Thank you very much. 791 01:02:05,753 --> 01:02:08,047 You're wonderful people. 792 01:02:12,093 --> 01:02:13,845 Ah, Federico. 793 01:02:13,970 --> 01:02:17,223 - It's so good to see you. - And you. The mayor. 794 01:02:17,348 --> 01:02:20,184 Ah, thank you. 795 01:02:20,309 --> 01:02:22,854 And our wonderful chief of police. 796 01:02:22,979 --> 01:02:25,815 - Good morning. - Good morning to you. 797 01:02:25,940 --> 01:02:29,277 Signore e signori, this indeed is a great day for Sevalio. 798 01:02:29,402 --> 01:02:35,408 It was just 67 years ago that I was born in a little house on top... 799 01:02:35,533 --> 01:02:37,577 (CROWD GROANS) 800 01:02:37,702 --> 01:02:40,580 Oh, no, no, no, no. Silenzio. Grazie. 801 01:02:40,705 --> 01:02:43,040 All right. All right! 802 01:02:43,165 --> 01:02:46,794 I, Giuseppe Molini, 43 years mayor of Sevalio, 803 01:02:46,919 --> 01:02:50,590 wish to present you with the key to our glorious city. 804 01:02:50,715 --> 01:02:53,009 - Thank you. - (LAUGHTER) 805 01:02:55,720 --> 01:02:56,887 Grazie. 806 01:02:57,013 --> 01:02:59,849 I'm deeply, deeply touched. 807 01:02:59,974 --> 01:03:02,018 Beautiful speech. 808 01:03:02,977 --> 01:03:09,400 And now I wanna present to you the man who's made this all possible. 809 01:03:09,525 --> 01:03:14,614 Italy's greatest director, truly a genius, Federico Fabrizi. 810 01:03:14,739 --> 01:03:17,783 (APPLAUSE AND CHEERING) 811 01:03:19,994 --> 01:03:21,412 Thank you. 812 01:03:21,537 --> 01:03:24,999 Well now, as director of The Gold of Cairo, 813 01:03:25,124 --> 01:03:28,169 I shall be needing your complete cooperation, 814 01:03:28,294 --> 01:03:34,091 from the smallest little child to your most illustrious chief of police. 815 01:03:34,216 --> 01:03:36,886 - Good morning. - (APPLAUSE AND LAUGHTER) 816 01:03:38,304 --> 01:03:41,724 Now comes the moment you have all been waiting for. 817 01:03:43,726 --> 01:03:46,437 Extremely handsome Tony Powell... 818 01:03:46,562 --> 01:03:48,773 (APPLAUSE AND CHEERING) 819 01:03:51,484 --> 01:03:54,445 Meet your co-star, 820 01:03:54,570 --> 01:03:59,116 very beautiful, Gina Romantica. 821 01:04:00,576 --> 01:04:03,996 - Very glad to know you. - (WOMEN SIGH) 822 01:04:05,956 --> 01:04:09,502 Cameramen, technicians, we must take a picture of this. 823 01:04:09,627 --> 01:04:12,421 We are making screen history today. 824 01:04:12,546 --> 01:04:15,716 I now declare this a legal holiday. 825 01:04:15,841 --> 01:04:20,221 The butcher and the barbershop will be closed half a day. 826 01:04:20,346 --> 01:04:23,891 827 01:04:24,016 --> 01:04:27,520 828 01:04:27,645 --> 01:04:30,940 829 01:04:31,065 --> 01:04:34,235 830 01:04:34,360 --> 01:04:38,030 831 01:04:38,155 --> 01:04:44,620 832 01:04:44,745 --> 01:04:48,207 833 01:04:48,874 --> 01:04:51,544 You know what you are. You are a beautiful man. 834 01:04:51,669 --> 01:04:55,714 - You're a beautiful girl. - That is right. We're both beautiful. 835 01:04:55,840 --> 01:04:59,760 - Do you like being beautiful? - I'm not really beautiful. 836 01:04:59,885 --> 01:05:04,890 Yes, you are. You're even more beautiful in person than you are in real life. 837 01:05:05,015 --> 01:05:07,685 You're very sweet. And very drunk. 838 01:05:08,477 --> 01:05:11,313 - Can I have your autograph? - Harry, pen. 839 01:05:11,438 --> 01:05:13,607 - I don't like it. - Don't drink it. 840 01:05:13,732 --> 01:05:18,654 Not the wine. I don't like the whole setup here. Something here doesn't smell right. 841 01:05:18,779 --> 01:05:21,907 You've been dealing with phonies all your life. 842 01:05:22,032 --> 01:05:26,829 You've never seen honest people like these before. Just look at 'em. 843 01:05:27,705 --> 01:05:30,958 - When do we shoot tomorrow? - Be on the beach at six o'clock. 844 01:05:31,083 --> 01:05:33,377 - I'll be there at 5.30. - Don't forget to shave. 845 01:05:33,502 --> 01:05:35,337 You're the director. 846 01:05:35,462 --> 01:05:38,090 Signor Fabrizi, telephone. 847 01:05:43,971 --> 01:05:46,557 - My wife. - Very pretty. 848 01:05:46,682 --> 01:05:48,475 (LAUGHS) 849 01:05:49,184 --> 01:05:52,104 Be on the beach tomorrow at six o'clock. 850 01:06:07,661 --> 01:06:09,622 - Fabrizi. Who's calling? - Okra. 851 01:06:09,747 --> 01:06:12,833 - Okra? Where are you? - Right behind you. 852 01:06:17,713 --> 01:06:21,550 - What are you doing here? - Just keeping my eyes on things. 853 01:06:21,675 --> 01:06:23,927 - Don't you trust me? - Do you trust me? 854 01:06:24,053 --> 01:06:25,638 - Absolutely. - Neither do I. 855 01:06:25,763 --> 01:06:30,643 How come when I checked Hollywood not one producer ever heard of this Fabrizi? 856 01:06:30,768 --> 01:06:33,395 You checked Hollywood. Check someone in Italy. 857 01:06:33,520 --> 01:06:35,898 All right. I will. 858 01:06:41,695 --> 01:06:45,824 I'm all right. All right. All right. All right. I'm fine. 859 01:06:49,119 --> 01:06:52,164 - Will the ship be on time? - I don't make mistakes. 860 01:06:52,289 --> 01:06:58,796 Sophia, it's no use crying, my darling. And don't call me. I'm sorry. Goodbye. 861 01:06:58,921 --> 01:07:02,341 This is Fred Okra, my coproducer. He invented OkraScope. 862 01:07:02,466 --> 01:07:05,302 This is my personal private secretary. 863 01:07:05,427 --> 01:07:08,722 - Some face, huh? - Isn't it, though? 864 01:07:08,847 --> 01:07:12,351 Listen, when we do this scene with the landing of the gold, 865 01:07:12,476 --> 01:07:16,063 let's use some stuff that looks just like real gold. 866 01:07:16,188 --> 01:07:18,232 OKRA: Like real gold? 867 01:07:24,905 --> 01:07:29,076 - Pronto. - Hello. I wanna speak to Rome, please. 868 01:07:29,201 --> 01:07:32,121 - Rome. It's a city in Italy. - Roma? 869 01:07:32,246 --> 01:07:35,457 No, not Roma. Rome! 870 01:07:47,970 --> 01:07:50,472 - DRIVER: Where to? - To the bus station. 871 01:07:50,597 --> 01:07:54,184 I'm going to Sevalio to see my children. 872 01:07:57,229 --> 01:07:59,606 She is leaving now. 873 01:08:04,778 --> 01:08:07,322 (BELL RINGS SIX TIMES) 874 01:08:39,313 --> 01:08:42,816 RADIO: We are having engine troubles. It must be the engines. 875 01:08:42,941 --> 01:08:45,777 - What? - We'll have to look at the engine. 876 01:08:48,822 --> 01:08:50,449 Federico! 877 01:08:52,701 --> 01:08:55,537 - Good morning. - Good morning, star. 878 01:08:55,662 --> 01:08:58,832 Good morning, co-star and hundreds of extras. 879 01:08:58,957 --> 01:09:01,376 - Good morning. - Good morning. 880 01:09:01,501 --> 01:09:05,464 The first scene that we shoot will be the landing of the gold. 881 01:09:05,589 --> 01:09:08,967 Which should be here any minute now. 882 01:09:09,092 --> 01:09:10,761 Hey. Psst. 883 01:09:10,886 --> 01:09:12,721 Director. 884 01:09:15,140 --> 01:09:17,576 Stall. Stall. 885 01:09:17,676 --> 01:09:20,137 - What? - The ship is having engine trouble. 886 01:09:20,262 --> 01:09:25,017 Tony, there's no Fabrizi registered with the Italian Screen Directors Guild. 887 01:09:25,142 --> 01:09:28,395 Relax, Harry, baby, will you? That man's a genius. 888 01:09:28,520 --> 01:09:33,317 - What am I going to do? - You're a director. Make a movie. 889 01:09:38,071 --> 01:09:41,825 Correction. There has been a change in the shooting schedule. 890 01:09:41,950 --> 01:09:46,538 Instead of doing the landing of the gold, we will begin with the straight acting. 891 01:09:46,663 --> 01:09:49,124 (CROWD GROANS) 892 01:09:49,249 --> 01:09:53,337 Quiet when you're being quiet. Quiet. Now then... 893 01:09:53,462 --> 01:09:55,505 Ready on the camera? 894 01:09:55,631 --> 01:09:57,799 - Ready on the lights? - Ready, but... 895 01:09:57,924 --> 01:10:02,054 Good. You, ready on the makeup? Good, good, good. Uh... 896 01:10:02,179 --> 01:10:03,180 Action! 897 01:10:03,305 --> 01:10:05,057 What do we do? 898 01:10:05,182 --> 01:10:08,518 Stop. Cut. Cut the film, stop the lights, cut everything. 899 01:10:08,643 --> 01:10:13,690 Cut the music, sound. Don't move, anybody. Stay where you are. Cut. Stop. 900 01:10:13,815 --> 01:10:18,320 Tony, sweetheart, you got a question? Never be afraid to ask questions. 901 01:10:18,445 --> 01:10:21,990 It's the only way we're going to get along, you and me. 902 01:10:22,115 --> 01:10:25,202 What are we supposed to do? What's the scene all about? 903 01:10:25,327 --> 01:10:28,330 You wanna know what this scene is all about? 904 01:10:28,455 --> 01:10:31,541 Wait. I have to think. 905 01:10:31,666 --> 01:10:33,502 Quiet! Fabrizi's thinking. 906 01:10:33,627 --> 01:10:35,754 CROWD: Quiet! 907 01:10:47,182 --> 01:10:50,727 - I've got it. - Quiet. He's got it. 908 01:10:50,852 --> 01:10:55,982 I've got it. I've got it. I've got it, I've got it. 909 01:10:56,108 --> 01:10:58,068 - What? - Nothing. 910 01:10:59,569 --> 01:11:02,447 - What? - It's about nothing. 911 01:11:03,073 --> 01:11:08,286 Tony, sweetheart, in this scene we have a great opportunity 912 01:11:08,411 --> 01:11:14,751 to make a wonderful comment on the lack of communication in our society. 913 01:11:14,876 --> 01:11:20,882 Two extremely beautiful people sitting alone at a cafй, 914 01:11:21,007 --> 01:11:24,511 with absolutely nothing to say. 915 01:11:24,636 --> 01:11:27,139 You get the significance? 916 01:11:27,264 --> 01:11:30,934 - It's beautiful. - I love it. I love it. 917 01:11:31,059 --> 01:11:35,021 Gina, technicians, we take it from the beginning. Right, right. 918 01:11:35,147 --> 01:11:40,318 Now then, when I give you the signal, you do nothing, absolutely nothing. 919 01:11:40,443 --> 01:11:43,989 - I love it. - Try and get it right the first time, eh? 920 01:11:44,114 --> 01:11:46,992 Good. Good luck to you. God bless. 921 01:11:48,660 --> 01:11:51,663 Right, now... ready with the nothing? 922 01:11:51,788 --> 01:11:53,623 - MAN: Ready. - Good. 923 01:11:53,748 --> 01:11:56,543 And no... action! 924 01:11:59,129 --> 01:12:00,297 Shh. 925 01:12:00,422 --> 01:12:02,966 - (MEGAPHONE CLINKS) - Shh! 926 01:12:03,884 --> 01:12:05,719 Shh. 927 01:12:23,278 --> 01:12:26,239 - Good morning. - Shh! 928 01:12:35,040 --> 01:12:38,126 This is my son. He's a director. 929 01:12:39,461 --> 01:12:42,839 That's Gina, my daughter. She's an actress. 930 01:12:44,424 --> 01:12:46,468 (APPLAUSE) 931 01:12:51,348 --> 01:12:53,391 (BLOWS WHISTLE) 932 01:12:54,768 --> 01:12:57,896 OK, Gina, Tony, we are ready for the next shot. 933 01:12:58,021 --> 01:13:01,858 Only in this scene, instead of doing nothing, 934 01:13:01,983 --> 01:13:04,027 we do something. 935 01:13:05,362 --> 01:13:07,197 What? 936 01:13:08,239 --> 01:13:10,408 - Running. - What are we running from? 937 01:13:10,533 --> 01:13:14,412 From yourselves. You get the symbolic meaning. 938 01:13:18,541 --> 01:13:20,460 Ah! 939 01:13:20,585 --> 01:13:27,050 No matter how fast you run, you can never run away from yourselves. 940 01:13:27,175 --> 01:13:29,135 Ah, beautiful! 941 01:13:29,260 --> 01:13:32,389 Ready with the legs? Good luck, both of you. 942 01:13:32,514 --> 01:13:34,224 And... action. 943 01:13:55,328 --> 01:13:57,163 Wonderful. 944 01:14:07,757 --> 01:14:10,051 Lunch, everybody. 945 01:14:35,285 --> 01:14:37,328 (APPLAUSE) 946 01:14:48,006 --> 01:14:50,383 Hey, how are you? 947 01:14:51,676 --> 01:14:54,929 You didn't tell me you could run like that. 948 01:14:55,054 --> 01:14:57,849 - Did you like it? - Wonderful, wonderful. 949 01:14:57,974 --> 01:15:00,935 - TONY: Thank you. - No question. 950 01:15:01,060 --> 01:15:02,729 Now, Tony... 951 01:15:02,854 --> 01:15:07,942 in the next scene, you are looking for Gina and Gina is looking for you. 952 01:15:08,067 --> 01:15:12,238 When you find each other, you run into each other's arms. 953 01:15:12,363 --> 01:15:17,410 - And what is the meaning of this scene? - A man's search for his own identity. 954 01:15:17,535 --> 01:15:20,330 It's a man's search for his own identity. Hm. 955 01:15:20,455 --> 01:15:25,710 Now, uh, you townsfolk, in a moment, I want you to walk across the square. 956 01:15:25,835 --> 01:15:28,963 RADIO: We dropped anchor. Now the anchor is stuck. 957 01:15:29,088 --> 01:15:32,425 - What?! - We're going to take a look at the anchor. 958 01:15:32,550 --> 01:15:34,594 (BLOWS WHISTLE) 959 01:15:36,471 --> 01:15:39,390 Tony, Gina, my darlings. 960 01:15:39,515 --> 01:15:43,436 A director's job is never finished. 961 01:15:43,561 --> 01:15:46,898 My darlings, listen, listen, listen. 962 01:15:48,149 --> 01:15:53,988 I know how tired you must be, because I know how tired I am. 963 01:15:54,113 --> 01:16:01,245 But we must sacrifice our tired for our art, because art is health. 964 01:16:01,371 --> 01:16:04,248 Art is love. Eh? 965 01:16:04,374 --> 01:16:07,418 And art is... art. 966 01:16:07,543 --> 01:16:09,128 Eh? 967 01:16:09,253 --> 01:16:14,258 Wonderful. Gina, you stand here. Tony, my darling, you go over there. 968 01:16:14,384 --> 01:16:16,427 Brilliance. 969 01:16:21,641 --> 01:16:23,685 Right. 970 01:16:26,854 --> 01:16:27,855 Action. 971 01:16:27,980 --> 01:16:30,274 (WHISTLE TRAILS OFF) 972 01:16:32,193 --> 01:16:35,530 VANUCCI: That's it. Slowly, slowly. 973 01:16:35,655 --> 01:16:38,032 Now you see each other. 974 01:16:40,743 --> 01:16:45,957 Now then, when I drop my arm, you rush towards each other. 975 01:16:46,082 --> 01:16:51,546 And a few of you townsfolk, you walk slowly across the square. 976 01:16:51,671 --> 01:16:53,172 And... now! 977 01:16:58,928 --> 01:17:00,888 No, no. Stop. Stop. 978 01:17:01,013 --> 01:17:03,057 (BLOWS WHISTLE) 979 01:17:05,685 --> 01:17:07,186 Stop it! Stop it! 980 01:17:07,311 --> 01:17:11,190 Back, everyone! Back! Everybody back! Get back! Get back! 981 01:17:11,315 --> 01:17:15,069 VANUCCI: Cut. Stop, stop, stop. Cut. Cut. Cut. 982 01:17:15,194 --> 01:17:18,030 Stop it! 983 01:17:18,156 --> 01:17:20,283 Shame on you, Sevalio! 984 01:17:20,408 --> 01:17:24,328 You are a disgrace to your village and to the motion-picture industry. 985 01:17:24,454 --> 01:17:29,500 Either I get complete cooperation, or you are all out of the picture. 986 01:17:30,418 --> 01:17:33,504 I want you to go back to your homes and think this over. 987 01:17:33,629 --> 01:17:38,050 Remember, there are many other villages who want to be in the movies. 988 01:17:38,176 --> 01:17:40,803 You are all dismissed. 989 01:17:40,928 --> 01:17:42,972 (BLOWS WHISTLE) 990 01:18:10,750 --> 01:18:14,378 - I must talk to you. - Who's talking? You or him? 991 01:18:14,503 --> 01:18:15,546 Me. 992 01:18:24,555 --> 01:18:28,643 - I didn't know you had a voice. - He doesn't allow me to talk to anyone. 993 01:18:28,768 --> 01:18:32,647 I haven't used a telephone in six years. 994 01:18:32,772 --> 01:18:36,317 Poor child. You're trembling. Are you cold? 995 01:18:36,442 --> 01:18:39,946 - If he knew I was here, he would kill me. - Swine. 996 01:18:40,071 --> 01:18:41,948 (SNORTS) 997 01:18:42,073 --> 01:18:43,658 (KNOCK AT DOOR) 998 01:18:43,783 --> 01:18:45,826 GINA: Tony. 999 01:18:47,787 --> 01:18:49,538 What? 1000 01:18:49,664 --> 01:18:51,374 - Tony? - Who is it? 1001 01:18:51,499 --> 01:18:56,087 It's your co-star, beautiful Gina Romantica. 1002 01:18:56,212 --> 01:18:57,797 I'll be right there. 1003 01:19:05,596 --> 01:19:07,515 Why do you stay with him? 1004 01:19:07,640 --> 01:19:11,560 I can't run away. I'm afraid of him. 1005 01:19:13,813 --> 01:19:15,690 You feel any warmer now? 1006 01:19:15,815 --> 01:19:19,485 Would you like to... get under the blankets? 1007 01:19:19,610 --> 01:19:23,364 I can't stay. I just came to warn you not to trust him. 1008 01:19:23,489 --> 01:19:25,825 Oh! 1009 01:19:25,950 --> 01:19:27,993 I don't trust him. 1010 01:19:29,412 --> 01:19:31,497 I don't trust him for a single moment. 1011 01:19:32,623 --> 01:19:36,669 - Can I come in and talk? - Well, it's very late. 1012 01:19:36,794 --> 01:19:40,047 No, it's not. It's very early. 1013 01:19:41,882 --> 01:19:44,009 The man's got no honour. 1014 01:19:44,135 --> 01:19:49,432 He's not like you. I can trust you. You are honest. I can see it in your eyes. 1015 01:19:49,557 --> 01:19:51,267 Yes, yes. 1016 01:19:51,392 --> 01:19:55,396 Keep looking into my eyes... and trust me. 1017 01:19:59,442 --> 01:20:04,822 I've got to tell you something. I'm not what you think I am. Can I tell you a secret? 1018 01:20:04,947 --> 01:20:07,324 A secret? 1019 01:20:07,450 --> 01:20:10,244 He keeps me a prisoner, a slave. 1020 01:20:10,369 --> 01:20:13,330 - He's evil and cruel. - Cruel and evil. 1021 01:20:17,751 --> 01:20:20,254 I didn't understand one word you said. 1022 01:20:20,379 --> 01:20:23,924 I didn't say anything. I was kissing your ears. 1023 01:20:24,049 --> 01:20:28,304 I saw a girl do it to you in a picture once. Did I do it as good as her? 1024 01:20:29,180 --> 01:20:30,890 No? 1025 01:20:32,766 --> 01:20:36,854 Well, that's was a... long long time ago. 1026 01:20:36,979 --> 01:20:40,941 I want to be a great actress, Tony. 1027 01:20:41,066 --> 01:20:44,987 - Will you teach me? - You kiss very well. 1028 01:20:45,112 --> 01:20:46,947 For a girl, yes. 1029 01:20:47,072 --> 01:20:50,993 But not for an actress. You see? No style, no finesse. 1030 01:20:51,118 --> 01:20:56,665 I'm so miserable, so unhappy. But what can I do? 1031 01:20:56,790 --> 01:21:02,922 Keep talking about it. If it takes you all night long, keep talking about it. 1032 01:21:04,006 --> 01:21:07,760 Teach me to be a wonderful movie kisser. 1033 01:21:09,845 --> 01:21:12,264 Please. 1034 01:21:15,351 --> 01:21:19,188 I'm sorry. I just can't keep my eyes open. 1035 01:21:23,234 --> 01:21:27,154 - I don't have enough experience, huh? - No, I've had too much. 1036 01:21:27,279 --> 01:21:30,449 After all, I'm fif... thirty-seven years old. 1037 01:21:30,574 --> 01:21:35,454 You look twenty-seven. Everything about you is so young. 1038 01:21:35,579 --> 01:21:39,458 Your body. Your face. Your hair. 1039 01:21:39,583 --> 01:21:42,920 - Only, I like your hair when it's mussed. - No, no, don't. 1040 01:21:43,045 --> 01:21:44,755 - Argh! - Tony! 1041 01:21:44,880 --> 01:21:46,674 (CRASH) 1042 01:21:46,799 --> 01:21:50,803 - Tony, are you all right? - Get me a ladder. 1043 01:21:54,264 --> 01:21:56,934 Tell me again how rotten he is, Aldo. 1044 01:21:57,059 --> 01:21:59,687 He's rotten. Rotten, I tell you, rotten. 1045 01:21:59,812 --> 01:22:01,689 (KNOCK AT DOOR) 1046 01:22:01,814 --> 01:22:04,817 - Yes, who is it? - Okra. Let me in. 1047 01:22:04,942 --> 01:22:08,195 Don't worry. Leave it to me. Hide in the closet, quick. 1048 01:22:08,320 --> 01:22:10,364 OKRA: Open up! 1049 01:22:12,074 --> 01:22:14,118 Open up. 1050 01:22:19,581 --> 01:22:23,585 - What's wrong? - Where is she? I'll kill her if I find her. 1051 01:22:23,711 --> 01:22:28,173 - Who are you looking for? - You know whom I'm looking for. 1052 01:22:28,298 --> 01:22:30,551 My sister! 1053 01:22:30,676 --> 01:22:33,762 Your sister? She's your sister?! 1054 01:22:36,306 --> 01:22:40,227 Go back with your brother. And shame on you! Shame! 1055 01:22:44,064 --> 01:22:45,315 Aldo! 1056 01:22:45,441 --> 01:22:47,735 If Poppa were alive, he'd kill himself. 1057 01:22:48,110 --> 01:22:50,779 (CLOCK STRIKES) 1058 01:22:50,904 --> 01:22:55,117 RADIO: We've sighted Sevalio. Get the boats ready, we're coming in. 1059 01:22:55,242 --> 01:22:58,829 It's coming. It's coming. 1060 01:22:58,954 --> 01:23:01,498 The ship is coming. 1061 01:23:41,955 --> 01:23:43,373 How will they shoot in this? 1062 01:23:43,499 --> 01:23:47,419 - They won't even find the camera. - He'll find it. 1063 01:23:50,005 --> 01:23:53,634 It's crazy. Smuggling gold in front of 300 people, it's crazy. 1064 01:23:53,759 --> 01:23:57,304 Shut up! This is the last movie I ever do with you. 1065 01:23:57,429 --> 01:23:59,473 (FOGHORN) 1066 01:24:00,641 --> 01:24:02,726 There it is! There it is. 1067 01:24:02,851 --> 01:24:04,895 (GUNSHOT) 1068 01:24:06,688 --> 01:24:09,483 The ship is here! The ship with the gold in is here! 1069 01:24:09,608 --> 01:24:12,444 Places for the landing of the gold. Everybody up. 1070 01:24:12,569 --> 01:24:14,988 (CROWD CHEERS) 1071 01:24:15,113 --> 01:24:18,116 - Am I in this scene? - Without you, I couldn't do it. 1072 01:24:21,870 --> 01:24:26,917 Tony, once the gold in the boat is on the shore, I want you to load it into the truck. 1073 01:24:27,042 --> 01:24:29,795 I made it heavy so as to look real. Can you do it? 1074 01:24:29,920 --> 01:24:32,589 I never use a stunt man. 1075 01:24:32,714 --> 01:24:35,384 Your trench coat is your trademark. 1076 01:24:35,509 --> 01:24:39,137 I've got a new trademark, Harry, baby. It's called acting. 1077 01:24:42,891 --> 01:24:44,142 Aldo! Gina! 1078 01:24:44,268 --> 01:24:46,311 It's Mamma! 1079 01:24:47,980 --> 01:24:51,024 - What's she doing here? - I sent for her to see me act. 1080 01:24:51,149 --> 01:24:53,652 Act quickly, we don't have much time. 1081 01:24:53,777 --> 01:24:55,612 Get those crowds out of there. 1082 01:24:55,737 --> 01:25:00,117 I want that truck down at the beach. Get it as near the water as possible. 1083 01:25:00,242 --> 01:25:04,246 Back! Back! Back, come on. We've got a picture to make here. 1084 01:25:06,039 --> 01:25:08,959 VANUCCI: Come on. Everyone down to the boats. 1085 01:25:09,084 --> 01:25:11,670 Come on. Hurry. Faster. Faster. 1086 01:25:11,795 --> 01:25:14,965 Get that gold back to the shore. That's it. 1087 01:25:15,090 --> 01:25:20,012 This picture involves all of you. The first ones back will be in the picture. 1088 01:25:27,728 --> 01:25:30,689 Rome. Give me Rome. 1089 01:25:33,650 --> 01:25:37,112 - Rome? We've found him. - MAN: Found who? 1090 01:25:37,237 --> 01:25:41,700 Vanucci. He's on the beach at Sevalio. It looks like he's making a movie. 1091 01:25:41,825 --> 01:25:44,077 Get down there and arrest him. 1092 01:25:44,202 --> 01:25:48,765 It's not possible, sir. He's got his whole gang with him, hundreds of them. 1093 01:25:48,890 --> 01:25:51,852 Stay where you are. I'll contact the local police. 1094 01:25:51,977 --> 01:25:53,895 Yes, sir. 1095 01:26:03,488 --> 01:26:06,199 Look, they're nearly there. 1096 01:26:06,324 --> 01:26:08,368 (PHONE RINGS) 1097 01:26:10,537 --> 01:26:12,581 Good morning. 1098 01:26:13,832 --> 01:26:15,000 Good morning. 1099 01:26:19,004 --> 01:26:21,131 Come on, pull. 1100 01:26:21,256 --> 01:26:22,507 Right. Right. 1101 01:26:23,091 --> 01:26:25,760 Left again. Pull. 1102 01:26:25,886 --> 01:26:28,430 Right. Right. Pull. 1103 01:26:41,526 --> 01:26:44,738 - They are unloading the cargo. - What kind of cargo? 1104 01:26:44,863 --> 01:26:50,201 It's very big and it's shaped in bars and it's the colour of gold. 1105 01:26:50,327 --> 01:26:53,663 - What do you think it is? - Big bars of gold. 1106 01:26:53,788 --> 01:26:55,332 Vanucci. 1107 01:26:55,457 --> 01:27:01,254 Of course! It's the gold of Cairo. Report every movement. I'll inform Interpol. 1108 01:27:01,379 --> 01:27:05,216 At Sevalio? Alert all stations Sevalio area. 1109 01:27:05,342 --> 01:27:09,304 They've found the gold of Cairo. Send reinforcements. We want Vanucci. 1110 01:27:11,931 --> 01:27:14,225 Come on there. Come on! 1111 01:27:14,351 --> 01:27:18,480 - Aren't you supposed to be filming this? - Me? Oh, yes. 1112 01:27:21,107 --> 01:27:26,112 VANUCCI: Come on. Faster, faster. All right, you're all in the shot. 1113 01:27:26,237 --> 01:27:31,409 Get that gold out of the boats and into the truck. Come on, quick. 1114 01:27:42,962 --> 01:27:46,049 (TOWNSFOLK SING A WORK SONG) 1115 01:27:49,094 --> 01:27:54,015 That's it. Keep the gold moving. This is what you've been waiting for all your life. 1116 01:27:54,140 --> 01:27:57,143 Your dreams have come true. Your ship has come in. 1117 01:27:57,268 --> 01:28:00,688 Let me see it in your faces. Let me hear it in your voices. 1118 01:28:00,814 --> 01:28:03,108 Sing, sing, Sevalio, sing! 1119 01:28:08,071 --> 01:28:09,989 That's it. Faster, faster. 1120 01:28:10,115 --> 01:28:12,951 Sing with your hearts. Show me your happiness. 1121 01:28:13,076 --> 01:28:15,954 - They are loading the truck. - Get to the top of the hill. 1122 01:28:16,079 --> 01:28:18,540 We'll blockade the road. 1123 01:28:20,166 --> 01:28:23,044 (TOWNSFOLK CONTINUE SINGING) 1124 01:28:23,837 --> 01:28:24,963 Come on! 1125 01:28:25,797 --> 01:28:29,300 - Is that police headquarters? In Sevalio? - Si. 1126 01:28:29,426 --> 01:28:33,304 - Is the chief there? - No. He's in the movie, like everybody. 1127 01:28:43,481 --> 01:28:45,525 Come on! 1128 01:28:49,904 --> 01:28:53,575 Keep singing, Sevalio. Keep singing with joy. With happiness. 1129 01:28:53,700 --> 01:28:56,077 With freedom! 1130 01:28:56,202 --> 01:28:58,454 Hey, the phone, the phone. 1131 01:28:58,580 --> 01:29:03,585 Get away. You're spoiling the shot. Get away, you fool. 1132 01:29:11,676 --> 01:29:13,761 Good morning. Rizzuto, Chief of Police. 1133 01:29:13,887 --> 01:29:19,017 What do you think you're doing? What are you doing with a gang of crooks? 1134 01:29:19,142 --> 01:29:21,352 What? 1135 01:29:21,603 --> 01:29:23,354 - What? - Hello? 1136 01:29:23,479 --> 01:29:26,316 Vanucci! You are stealing the gold of Cairo with him. 1137 01:29:26,441 --> 01:29:30,945 Do you realise you're an accessory before and during and after the fact? 1138 01:29:38,620 --> 01:29:40,121 Aldo! 1139 01:29:43,333 --> 01:29:45,960 Sevalio, I want Vanucci dead or alive. 1140 01:29:56,220 --> 01:29:59,307 Momma, Gina, quick, into the car. 1141 01:30:05,855 --> 01:30:09,609 - Are you all right? - Of course. Let me finish my scene. 1142 01:30:09,734 --> 01:30:12,445 - Yes, sir. - Do you hear me? Act! 1143 01:30:15,782 --> 01:30:18,576 - Don't just stand there! Idiot! - Goodbye, sir. 1144 01:30:28,586 --> 01:30:30,546 Stop them! Stop them! 1145 01:30:30,672 --> 01:30:32,548 Sing, Sevalio, sing! 1146 01:30:32,674 --> 01:30:34,717 (CROWD CHEERS) 1147 01:31:11,754 --> 01:31:14,507 Faster, idiot. We'll never catch them. 1148 01:31:19,345 --> 01:31:21,597 Where is he? I can't see him. 1149 01:31:21,722 --> 01:31:23,349 Faster. Faster. 1150 01:31:30,231 --> 01:31:32,275 (HORN) 1151 01:31:43,661 --> 01:31:47,540 - Mamma, this is my girlfriend. - How do you do, darling? 1152 01:31:50,001 --> 01:31:53,463 HARRY: You can let me off at the embassy. 1153 01:31:57,300 --> 01:31:59,427 Car 17, where are you? 1154 01:31:59,552 --> 01:32:03,097 MAN: This is car 17. We are right behind you. 1155 01:32:09,478 --> 01:32:11,606 No. We are in front of you. 1156 01:32:14,192 --> 01:32:18,112 RIZZUTO: Stop the car. I think I hear something. Quiet, everyone. 1157 01:32:18,237 --> 01:32:19,405 (WHISTLE) 1158 01:32:19,530 --> 01:32:22,950 - It's a train! - (ALL SHOUT IN FEAR) 1159 01:32:24,452 --> 01:32:27,538 Mamma mia! Mama mia! Mamma mia! Mama mia! 1160 01:32:27,788 --> 01:32:31,584 Mamma mia! Mama mia! Mamma mia! Mama mia! 1161 01:32:31,709 --> 01:32:32,877 Mamma mia. 1162 01:32:37,924 --> 01:32:40,051 I wasn't afraid. 1163 01:32:40,176 --> 01:32:42,887 - Start the car. - I don't want to drive any more. 1164 01:32:43,012 --> 01:32:45,348 I resign from the police. 1165 01:32:45,473 --> 01:32:47,558 - Start the car. - I wasn't afraid. 1166 01:32:47,683 --> 01:32:52,855 I wasn't afraid for even one second. I wasn't. Really, I wasn't afraid. 1167 01:32:55,900 --> 01:32:57,318 Vanucci! 1168 01:32:57,443 --> 01:32:59,028 Turn left! 1169 01:32:59,153 --> 01:33:00,780 Okra! 1170 01:33:01,238 --> 01:33:04,492 - VANUCCI: Let me drive. - MAN: You are driving! 1171 01:33:04,617 --> 01:33:05,910 Okra! 1172 01:33:06,035 --> 01:33:07,828 Faster! 1173 01:33:10,998 --> 01:33:14,418 HARRY: I demand to see the American... 1174 01:33:15,962 --> 01:33:18,214 Vanucci! 1175 01:33:28,849 --> 01:33:30,726 (SHOUTING) 1176 01:33:39,068 --> 01:33:40,736 JUDGE: Silenzio. 1177 01:33:40,861 --> 01:33:43,489 - Silenzio! - (RINGS BELL) 1178 01:33:43,614 --> 01:33:45,408 - Silenzio. - Silenzio. 1179 01:33:45,533 --> 01:33:47,827 Silenzio. 1180 01:33:47,952 --> 01:33:51,038 Will the accused please stand? 1181 01:33:54,125 --> 01:33:56,794 - All of them? - All of them, Your Honour. 1182 01:33:56,919 --> 01:34:01,215 - There's no room for the jury. - Nevertheless, they were all accomplices. 1183 01:34:01,340 --> 01:34:04,885 ALL: No! No! No! 1184 01:34:05,010 --> 01:34:07,471 Silenzio. Silenzio. 1185 01:34:07,596 --> 01:34:08,931 Silenzio! 1186 01:34:09,181 --> 01:34:10,891 Silenzio! 1187 01:34:12,059 --> 01:34:13,060 Bah! 1188 01:34:13,185 --> 01:34:16,939 Another outburst like this and I'll have you all thrown out of court. 1189 01:34:20,818 --> 01:34:24,822 How does the accused plead? Guilty or not guilty? 1190 01:34:24,947 --> 01:34:27,241 TOWNSFOLK: Not guilty! 1191 01:34:28,951 --> 01:34:30,536 Silenzio. 1192 01:34:30,661 --> 01:34:32,246 Silenzio. 1193 01:34:32,371 --> 01:34:35,249 Just one of you speak. 1194 01:34:38,169 --> 01:34:39,795 - Who are you? - Who? 1195 01:34:39,920 --> 01:34:42,089 Federico Fabrizi, the film director. 1196 01:34:42,214 --> 01:34:46,886 Like all of these good people, an innocent bystander. 1197 01:34:47,011 --> 01:34:50,306 He is also Aldo Vanucci, an escaped convict. 1198 01:34:50,431 --> 01:34:54,685 I object on the grounds that he is trying to discredit a witness. 1199 01:34:55,102 --> 01:34:58,147 - Silenzio. - Silenzio. 1200 01:34:58,272 --> 01:34:59,815 Silenzio. 1201 01:34:59,940 --> 01:35:01,984 Silenzio! 1202 01:35:03,110 --> 01:35:08,324 One case at a time. Who's responsible for smuggling in the gold? 1203 01:35:08,449 --> 01:35:13,329 That's what I want to know. As a film director, I asked for fake gold. 1204 01:35:13,454 --> 01:35:18,709 Some crook used real gold instead. I suspect... I suspect hanky-panky. 1205 01:35:18,834 --> 01:35:20,878 (MURMURS OF AGREEMENT) 1206 01:35:22,963 --> 01:35:27,801 Your Honour! This man is trying to make a mockery of justice, 1207 01:35:27,927 --> 01:35:30,012 as he has done all his life. 1208 01:35:30,137 --> 01:35:32,514 He has been nine times in jail. 1209 01:35:32,640 --> 01:35:36,644 Five times he has escaped. The law must not be cheated again. 1210 01:35:36,769 --> 01:35:40,940 But who is guilty here? This one? That one? All of them? 1211 01:35:41,065 --> 01:35:45,069 - We can decide after seeing the evidence. - Evidence? What evidence? 1212 01:35:45,194 --> 01:35:47,696 The evidence you have supplied us with... 1213 01:35:47,821 --> 01:35:52,493 the film you made in Sevalio, The Gold of Cairo. Lights, please. 1214 01:38:36,198 --> 01:38:39,868 Bravo! It's brilliant! Brilliant! 1215 01:38:39,993 --> 01:38:43,705 - Who is this man? - Mario Stravoli, the film critic. 1216 01:38:43,830 --> 01:38:47,251 It's a work of art, a classic. He's a genius! 1217 01:38:47,376 --> 01:38:50,963 What depth, what meaning. I cried... 1218 01:38:51,088 --> 01:38:53,131 Out. Get this idiot out. 1219 01:38:53,257 --> 01:38:56,051 What truth, what honesty. 1220 01:38:57,302 --> 01:39:02,599 It's the greatest film to come out of Italy in 40 years. A primitive genius. 1221 01:39:02,724 --> 01:39:06,520 A classic, the man has made a classic! 1222 01:39:06,645 --> 01:39:09,606 Now the whole world's gone crazy. 1223 01:39:09,731 --> 01:39:14,611 But a crime has been committed against the state and somebody has to pay. 1224 01:39:14,736 --> 01:39:17,364 Who is it going to be? 1225 01:39:19,283 --> 01:39:24,079 All right, take away everybody but the children and grandmas and grandpas. 1226 01:39:26,999 --> 01:39:30,335 Your Honour, I beg you. I plead for mercy. 1227 01:39:30,460 --> 01:39:32,838 These people are innocent, all of them. 1228 01:39:32,963 --> 01:39:36,091 They've been misguided and misled. 1229 01:39:36,216 --> 01:39:40,387 Not for gold nor for riches, but for the weakness of the human spirit. 1230 01:39:40,512 --> 01:39:44,307 Should they be punished because they want to feed the hunger of an empty soul? 1231 01:39:44,433 --> 01:39:46,518 - Yes. Take them away. - Wait. 1232 01:39:46,643 --> 01:39:49,980 If anyone must go to prison, it's me. 1233 01:39:51,773 --> 01:39:55,068 For I alone am responsible for this crime. 1234 01:39:55,193 --> 01:39:57,404 Because I'm a small crook, I go to prison. 1235 01:39:57,529 --> 01:40:00,991 It's only the big crooks that go free. Is that justice? 1236 01:40:01,116 --> 01:40:03,660 Justice says that somebody has to pay. 1237 01:40:03,785 --> 01:40:06,663 I sentence you, small crook, to five years. 1238 01:40:06,788 --> 01:40:08,248 (MURMURING) 1239 01:40:08,373 --> 01:40:11,418 I accept it happily, 1240 01:40:11,543 --> 01:40:14,629 knowing in my joyous heart... 1241 01:40:14,755 --> 01:40:19,134 that a sister will write to her brother every day after school. 1242 01:40:19,718 --> 01:40:23,430 That a mother will be protected and cared for by friends. 1243 01:40:23,555 --> 01:40:26,099 Hard-working friends. 1244 01:40:26,850 --> 01:40:32,689 And that a fine actor has realised that true talent is not diminished by passing years. 1245 01:40:33,565 --> 01:40:36,568 But don't you worry about Vanucci. 1246 01:40:36,693 --> 01:40:41,281 I will be out of jail April 1st, at three o'clock. 1247 01:40:57,005 --> 01:41:01,676 - GUARD: Be careful, Doctor. - Vanucci, planing to escape again, huh? 1248 01:41:01,802 --> 01:41:03,804 Yes. 1249 01:41:06,389 --> 01:41:11,311 I don't know why you worry. He won't give you no more trouble. 1250 01:41:11,436 --> 01:41:14,940 We can't be too careful with that one. 1251 01:41:17,484 --> 01:41:19,778 - Arrivederci. See you next month. - Ciao. 1252 01:41:19,903 --> 01:41:22,280 (CLOCK STRIKES THREE) 1253 01:41:24,449 --> 01:41:26,368 (WEAKLY) Help. 1254 01:41:26,493 --> 01:41:28,119 Help. 1255 01:41:28,245 --> 01:41:29,371 Help! 1256 01:41:30,789 --> 01:41:33,333 Help! 1257 01:41:34,334 --> 01:41:37,128 Help! 1258 01:41:37,379 --> 01:41:39,422 Help! 1259 01:41:44,261 --> 01:41:47,389 Imbecile. He's escaped. Vanucci's escaped. 1260 01:41:47,514 --> 01:41:51,184 You can't fool us this time. 1261 01:41:51,309 --> 01:41:53,395 Let me out. Untie me, fools. 1262 01:41:53,520 --> 01:41:55,230 Idiots! 1263 01:42:15,292 --> 01:42:18,878 My God, the wrong man has escaped! 1264 01:42:19,004 --> 01:42:22,090 ( 1265 01:42:26,970 --> 01:42:31,016 - SINGERS: - MAN: 1266 01:42:31,141 --> 01:42:35,186 - - 1267 01:42:35,312 --> 01:42:39,065 - - 1268 01:42:39,190 --> 01:42:42,736 1269 01:42:42,861 --> 01:42:45,155 1270 01:42:45,280 --> 01:42:47,240 1271 01:42:47,365 --> 01:42:50,660 1272 01:42:50,785 --> 01:42:53,288 1273 01:42:53,413 --> 01:42:55,206 1274 01:42:55,332 --> 01:43:00,211 1275 01:43:00,336 --> 01:43:02,380 1276 01:43:04,632 --> 01:43:06,676